This was the bad boys’ first trick, But the second follows quick

Efteling’s Max + Moritz

Every now and then, a roller coaster that you have grown fond of has to say goodbye. After 34 years of operation, this happened to the roller coaster Bob – one of the rare Swiss Bob coasters of the manufacturer Intamin. The end of the coaster was very predictable, after all it was one of the few roller coasters allowed for smaller children – but due to its low capacity it could not compensate for this, so there was always a longer queue. Since Efteling also became more and more popular, something new was needed. Probably the most family-friendly roller coaster on the market for decades has been the Powered Coaster from Mack Rides. If you double the number of trains, you also get a very high capacity, which leads to additional fun by using two lanes. The result was the roller coaster duo Max + Moritz.

Typical for the theme park Efteling, this roller coaster can also show a very affectionate design. Here, the two rascals from the well-known story by Wilhelm Busch try out their self-built ride gear, which leads to some chaos.

The ride on Max

The ride with Max (the blue lane) begins with a small hill on which we gain some momentum. Close to the ground, we now drive through a few alternating right and left turns, and at the same time we gain a little height in the final right turn. Now we cross Moritz’s track once and spiral in a tight helix towards the ground. In the process we meet Moritz. The train now leads us with momentum through a right turn and a turn to the left before we gain height in a helix. A short turn to the left and a tight right turn later we enter the station building. Here we meet Moritz and start the second lap.

The ride on Moritz

Moritz (on the green lane), meanwhile, is well on his way and so we immediately enter a wide left turn. In two swerves we approach the ground gradually, whereupon we immediately dissipate our energy again in an outward spiral. Above Max’s lane we now take a left turn. Here we meet our brother. After a ground-level turn to the right, we gain altitude within a tight helix once again. Another right turn and a left turn follow before we approach the station on a longer straight and slowly lose speed.

Conclusion Max + Moritz

Max + Moritz are clearly excellent roller coasters for smaller children. In this respect, there is absolutely nothing to criticise. However, I personally find it a great pity that you only really meet in two places during the course of the ride. If both tracks went in the same direction, the roller coaster would definitely be a bit more exciting. I also don’t consider either roller coaster to be a dignified replacement for the old bobsled ride, but only a functional one. Admittedly, the colourful ride with its great design and terrific soundtrack fits much better into Efteling than Bob ever did; however, my conclusion is clear: children will have a lot of fun on both rides, adults might ride them once or twice.

Pictures Efteling

 


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Baron Hooghmoed, Prime comes before the fall!

Preface

No other amusement park made it so easy this year to visit the park as easy as Efteling. In order to promote his new roller coaster Baron 1898, the park gave me, as many other people, a free ticket out of the blue. Therefore, in the middle of October – shortly before the ticket expired – on a very rainy day, I took a trip to the Dutch village of Kaatsheuvel.

Efteling

The Efteling amusement park originated as a fairytale forest in 1952, but originally as a nature park in the 1930s, where a total of 10 fairy tales were told. Under the direction of the artist Anton Pieck, after whom the central square with a few smaller carousels in the Marerijk area is named, the fairy tale forest grew steadily and – unlike most other theme parks – never lost its importance. Beside the talking tree Sprookjesboom, which tells the children the fairy tales of Sprookjesbos in Dutch, you will find some bizarre and very interesting things, such as the Indian water lilies or the flying fakir. Especially with smaller children you can easily spend most of the time in the park in this area.

Droomvlucht

However, the most popular and most visited attraction in the Efteling since 1993 has been the Droomvlucht dark ride, which takes you past larger scenes of fairies, elves, trolls and other fairy-tale creatures in suspended gondolas. Although the dream flight, as the English name suggests, could hardly be more cheesy and superimposed, the ride through the dream scenes is definitely fun and the descent taking place in a 1080° helix is truly unusual.

Villa Volta

Next to the Ravelijn show, for which translations are available, there is the prototype of all modern Mad House attractions, the Villa Volta. The story of the Bokkenrijders, a band of robbers from the 18th century, is presented. Hugo van den Loosche Duynen is the aged landlord of the villa, who robbed a deserted, but richly stocked abbey with his gang and was cursed by a suddenly appearing woman and since then cannot find his peace anywhere. Only a person with a clear conscience can release his spell, which is why Hugo invited volunteers to his house.

A Mad House is a ride in which a gondola, with two rows opposite each other, in a rotating drum is swivelled about 30° to both sides. The rotating, highly decorated drum gives the impression of turning upside down in a room, the pivoting of the passenger carrier underlines this by the generated accelerations. The event is accompanied by suitable music and lighting, and if necessary by various other effects. The Villa Volta is not only the pioneer of this type of attraction, but also one of its best examples.

Volk van Laaf

In the village of the people of Laaf you can watch the Laaf during their daily life or take a monorail tour through the colonnades of the houses. The people of Laaf are reminiscent of Holle Bolle Gijs, who can be found throughout the park. These are talking garbage cans that say “paper here!” and encourage the little guests of the park to throw their garbage into the gullets of the never-full inhabitants of the park.

Monsieur Cannibale

Monsieur Cannibale also likes to eat one with pleasure, although it is only a teacup ride in which you sit in some bigger cooking pots instead of cups. The ride is not so interesting because of the heavy to turn gondolas, but the catchy tune of the song of the same name by Sacha Distel certainly contributes to it.

Carnaval Festival

The best you can do in the Reizenrijk is to travel, therefore a ride in the cars of the Carnaval Festival dark ride should not be missed. Accompanied by a merciless catchy tune, you accompany the jester Jokie on his always cheerful journey around the world, whereby the clichés of the corresponding countries were excellently staged. Carnaval Festival does not need to shy from the comparison with Disneyland Parks’ role model It’s a small World, as the ride offers everything a good dark ride needs to offer and in my opinion is even a bit better, as it is much less annoying.

Vogel Rok

Located next door is the dark roller coaster Vogel Rok, which immerses you in the world of the stories of 1001 Nights, at least in the stories of Sindbad the Seafarer. After the train has left the station it passes a short gradient within a right turn, whereupon the lifthill of the ride follows. Accompanied by laser effects we climb to the top of the lift and then immediately enter the main drop of the ride. With a slope of 55°, the train now races towards the ground in a left-hand bend. The height difference of 21m results in a speed of 67 km/h, which is kept constant in a very wide left turn close to the ground. Shortly thereafter the train shoots up and approaches the ground again in a slightly smaller radius. In the following valley we change direction. A curvy hill, past one of the name-giving birds, later we pass through an uphill helix, at the end of which we are eaten by a snake. Then, we pass a block brake before racing towards the ground in a left turn. The track then increases in height before the radius of the curve narrows down into a downward helix. The train now moves off the ground one last time and dives into a tunnel of lights. After that the brakes are reached and immediately after another right turn there is the station, which is usually approached with the loud music of the onboard sound system.

Vogel Rok is a great roller coaster of the type MK-900 by the Dutch manufacturer Vekoma, which delivers a short but thoroughly thrilling yet always harmonious ride. It is amazing how fast you can accumulate your laps on this coaster, if you stay a while when the park is less busy.

Gondoletta and Pagode

For those who like it a little more relaxed, the boat trip Gondoletta is the perfect choice. For 20 minutes the extra long Tow-Boat Ride of the company Intamin takes you across the entire lake and it is quite big. Since this year, in addition to the obligatory feeding of birds and the resulting siege of countless water birds, you have a really great view of the roller coaster Baron 1898. A similarly interesting view is guaranteed from the observation ride Pagode, a Flying Island also from the manufacturer Intamin, which brings you to a height of 45m without any tower structure. This happens basically by an oversized lever at whose end the passenger gondola is suspended and at whose other end the oversized counterweight is located.

Halve Maen, D’Oude Tuffer and Polka Marina

The swinging ship Halve Maen, which is currently the highest ship swing in Europe, can also be classified as a relaxing ride. Next to it you will find the vintage car ride D’oude Tuffer, which allows its cars to travel the long distance with rapid pace. Equally interesting, although only due to the outwardly inclined curves, is the Polka Marina ride by Vekoma, which always makes me smile.

Python

However, the things you are interested in in the Ruigrijk area are certainly not flat rides of the area, rather the roller coasters that reign this corner of the park. The first one was the Python steel roller coaster in 1981, which carried its passengers not only through one loop, but two consecutive loops. In fact Python was the highest steel roller coaster in Europe at that time and with its four inversions the most exciting roller coaster on the continent. Just as exciting as the coaster Carolina Cyclone of the American amusement park Carowinds, which was the first roller coaster worldwide to entertain its passengers with four turn-overs a year before. Efteling was therefore thinking big even back then!

The train leaves the station on a small gradient, followed by a left turn. Shortly after the train enters the lift chain, which brings it to 29m. A small slope and another 180° left turn follow before the train races down the main shot. Then the train passes through a powerful valley and enters the first loop, whereupon the game repeats itself in a second loop. On a straight incline the train gains some height and immediately throws itself into a curve. This leads the train to the starting position of the corkscrews, into which one enters at a remarkable angle. While the carriages screw their way through the corkscrews, the world is upside down two more times. After a small hill an upward spiral follows. Immediately afterwards the braking track is reached.

Python is a great roller coaster of an older design, which doesn’t have to hide itself due to its truly intense performance, especially in the evening. After the original Arrow trains, as well as the second train generation of the manufacturer Vekoma and trains of the manufacturer KumbaK had been used on the track, modern trains of the fourth train generation by Vekoma now enrich the the ride. Unfortunately I could not test them during the current visit, but the KumbaK trains gave a solid impression during a past visit.

Joris en de Draak

Wooden roller coasters have a long tradition in Efteling, dating back to 1991 when Pegasus, an absolutely boring and slowed down roller coaster for children, was built in the park. It was the first wooden roller coaster in the Netherlands. A year after its removal, Efteling build Joris en de Draak. This ride introduced two more wooden roller coasters of the popular manufacturer Great Coaster International (GCI) to the park. The background story is dedicated to the patron saint of the English, the dragon slaughterer Georg. The layout is divided into two tracks, Vuur and Water, both of which are duelling each other whilst showing different but somewhat balanced riding characteristics.

Both sides start parallel to each other, but a few meters apart, with a small gradient out of the station to which the lift hill is immediately added. Once at the top, both sides make an S-curve and a turn mirror-inverted to each other, so that the sides meet in the middle and thus deliver a race during the first drop. The trains then shoot through the first valley, which is immediately followed by a triple up, i.e. a triple combination of hills that always leads upwards. In the following right turn the sides lose each other.

With a double down, Water is showing its wild side right at the beginning of its independence. In a bumpy curve you fight your way to the right side of the course to cross more hills along the lake. In the same manner the train now makes a turn to the left.

Meanwhile Vuur also passes under its opponent in a double-down. In a flattened right bend you cross the truss of the lift hill whereupon a drop takes place immediately above the sidewalk. With a short look at the Vliegende Hollander a left turn is initiated. Over several hills one makes one’s way over the lake, whereby these are not so frequently present as on Water. A smooth right curve, which serves as a turn, follows. Thereupon both sides run next to each other again.

After a short straigth section, a smaller slope follows, to which a rather wild combination of right-left curves is attached, whereby both sides can show track sections inclined to the wrong direction. Soon the finish is reached and the winner of the race will be announced at the brake track. Afterwards you pass through the maintenance house and two left turns to the respective station, where you enter under fanfare or loud booing.

Joris en de Draak offers two good wooden roller coasters, but the rides are quite different and therefore not quite the same. Water offers the apparently wilder ride, because it is going over smaller hills and also the curves seem a little more daring, while Vuur is more careful with its gradients and therefore a little more efficient to tear his passengers back and forth. I can hardly explain why I preferred Water during my last visit in Efteling, as it was Vuur who convinced me more this time.

Vliegende Hollander

On the other side of the lake there is the Vliegende Hollander, a water roller coaster with a moving history. By this I don’t mean the problematic manufacturing process of the installation, where even another company was called in to solve the initial problems, but the story of Willem van der Decken, the captain of the Dutchman, a ship of the United East India Company. Due to his greed, the captain is more and more subject to piracy and even storms and holidays, when it was forbidden to set sail, didn’t stop him. “I will sail, storm or not, Easter or not. I will sail, even until Judgement Day,” said Willem, drawing a curse on him. Damned for eternity to sail the seven seas of the world, the Flying Dutchman races across the sea as a ghost ship with his black hull and burning sails.

The journey begins in a 17th century seaport. After leaving the station you can see in the first scene how your own boat sets sail. Fog is coming up and is getting denser, only a lamp at the bow gives some light. A storm comes up and with it the Flying Dutchman shows itself to the passengers. Through the hull one enters the interior of the ghost ship. A surprising drop follows and thereupon a rise, in which one is held immediately by a brake. Here Willem van der Decken shows his true face, whereupon the lift chain grabs and brings the boat to a height of about 22m. Immediately a steep turn follows out of the building towards the ground and through a fog-flooded building. A camelback is attached and shortly afterwards a horseshoe, i.e. an elevated turn, which you pass through with a considerable cross slope.  A short ascent leads to a block brake. This is followed by a small drop and a long bend, which then turns into a shot into the water basin. After the watering, the boat is transported back to the station by circulating chains.

The Vliegende Hollander offers an almost perfect mix of a dark ride and a water roller coaster, which was skillfully staged. The part in front of the lift hill is so atmospheric that you could almost skip the ending. But this one also does a good job, even if the finish could be wetter.

Baron 1898

On a highly atmospheric path, which also provides some nice insights into the roller coaster part of the water coaster, you can walk to this year’s novelty, the Dive Coaster Baron 1898. Even from far away, the appearance is convincing by its industrial charm and the framework structure, which carries the lift, as well as the first drop. The Rijksmijn winding tower transports the miners down into the shaft, where they are to mine as much gold as possible on behalf of Baron Hooghmoed. But the Witte Wieven, white women in Dutch folklore, who watch over the gold, want to prevent this. Gustave Hooghmoed doesn’t listen to the warning, so he urges the miners to climb into the mine. With a fearless “Glück Auf!” he says goodbye to his workers.

After boarding the train and lowering of the floor, the train starts moving towards the next room. In a musical way the Witte Wieven reappears. This time, it is not just a simple warning and they announce the sabotage of the descent, as pride comes before the fall. At a fast pace we climb the steep lift, which brings us to the starting height of 30m. Arrived at the top, a small section continues straight ahead whereupon we are pushed over the edge. Now we are held in this position for a few seconds until a bell rings and releases the train. From here we descend the vertical drop into a fog-flooded tunnel. The 37.5m difference in altitude produce a speed of about 90 km/h. At top speed we now enter the first inversion, an Immelmann with a relatively late rotation around its own axis. With a lot of power we pass through the following valley before we turn upside down in a Zero-G Roll. A short straight section later the train increases in height in a helix and immediately decreases in a small drop, whereby the transition takes place a little rough. After another hill we take a right turn, which releases us into the braking track. This is followed by the return to the station.

The exit from the station is via a gallery, which leads into a narrow corridor and, after a long staircase, releases the miner from the building. Funnily enough, an employee handed a CD with the Baron 1898 remix by DJ Hardwell as a personal souvenir. On the way back home the CD was heard almost continuously, although the connection to the Baron 1898 was not really clear. It’s just a nice song, which serves ideally as background music and an even nicer little gift from the amusement park.

The Baron 1898 is without exaggeration the best designed dive coaster in the world. Although it is only a compact version of this type of roller coaster, the ride in combination with the lush design and the worth seeing implementation of the storyline is a truly first-class roller coaster. The used baggage system, in connection with the tickets for the two shafts and the corresponding rows, works very well, so that from my point of view there is hardly any potential for improvement.

Piraña

One of the first major attractions of the amusement park is the Rapid River Piraña, opened in 1983, which was also the first of its kind in Europe. The ride in the round-boats along the concrete canal, which has some rapids and other elements, is good and can easily get you wet. There is also a possibility to get the passangers wet from the outside of the ride that can be used free of charge, but which can soak you with a bit of bad luck.

Spookslot

The Spookslot is one of the most famous and oldest attractions of the Efteling amusement park, although you should not expect a classic ghost train when you enter the haunted castle, although the outward appearance and the design of the queue make you expect a dark ride. Instead, you will find yourself in a larger room with several standing rows and watch a show worth seeing with countless mechanical figures.

Panda Droom

The ancient 3D film Panda Vision at the 4D cinema Panda Droom in the immediate vicinity is not quite as worth seeing. Anyhow, the special effects are rather special and should not be missed. In contrast to the many other venues in which this film was shown, the film was created especially for the Efteling in cooperation with the WWF, which is why animal welfare is far more important here through a preshow and further information options in the exit area.

Bob

In 1984 a truly new roller coaster concept from Intamin opened in the USA and, as so often the case, found its way to the Efteling a year later. The idea of a roller coaster with gondolas running free in a canal instead of on rails is not new since the flying turns of the 30’s, but the gondolas of the Swiss Bobsleigh pass through steep ascents and descents.

The ride in the Bobbaan, better known as Bob, begins on a straight out of the station. After a left turn you reach the lifthill, which brings you to a height of 20m. A steep left turn takes you downhill. The following valley is driven through with an absurd force, with the first change of direction taking place immediately. A swinging S-curve combination leads you up into the first block brake. Once again we descend in a steep left turn and get stoked by the high forces in the next valley. After a right turn, a left turn leads into the next block brake and also here the change of direction takes place in a powerful way. Also this block brake is left in the usual way. As we already have experienced before, the next valley is passed with a lot of momentum before a simple right helix leads us upwards. The car now crosses the last block brake and crashes towards the ground one last time, however this time in a right turn. A last change of direction, but not so brute, follows. After this turn the brakes follow and shortly after we reach the station.

Bob is a unique roller coaster, at least in Europe, although the American models now also have an exotic status. In comparison to the bobsleigh runs of the manufacturer Mack, which are better known in this country, the Swiss Bob can distinguish itself above all through its smooth running and the more adventurous course with its brilliant dynamics. The ride is simply fun and produces a permanent grin in my face which is why I always like getting on Bob again and again.

Fata Morgana

In a similar way I am very satisfied with the dark ride Fata Morgana, which convinces or better said overwhelms me with its oriental design. Although the ride was put into operation in 1986, it seems very modern and timeless with its human-like mechanical figures. The individual scenes are well equipped and very detailed, whereby the journey does not become boring even after several times. In addition, there is a continuous storyline with single moments of tension.

Aquanura

Every evening Aquanura, one of the biggest water shows in the world, takes place directly at the lake. It picks up the songs and rides that were experienced during the day and processes them with water, light and fire effects. During the day this is quite impressive, but at night it is definitely better.

Pictures Efteling

Conclusion Efteling

Efteling has always been a great amusement park, but it’s funny how often I forget about it, otherwise I would have visited the park more often. The park has so much to offer and with Baron 1898 and Aquanura even more, which is why I would like to call Efteling the best amusement park in Europe and not just because the park gave me the admission and a CD out of the blue. Despite the terrible weather, the park managed to entertain us very well, although our ride in the first row of Baron 1898 was by no means pleasant. With this year’s novelty everything has been done right, so I am looking forward to future projects from the park.

 

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A positive surprise at Europa Park

Europa Park

As expected, Europa Park was a bit fuller on this holiday. Stupidly enough, this already turned out at the cash desks, so that I could not enter the park before 10 o’clock. After I had overcome the first hurdle in the middle of the path of standing French people the way to the big roller coaster novelty of the year Wodan – Timbur Coaster could be taken.

Past the topic areas Switzerland and England I went immediately to Russia and Luxembourg, where besides the advantageous monorail, at least this one has a station in the theme area Iceland, the revolving theatre show Historama, the small dark ride Schlittenfahrt Schneeflöckchen, as well as the revolving gondola roller coaster Euromir are located.

Historama

The Historama is actually a great attraction, after all, you can learn a lot about the founding family Mack and their history. But the first room is simply – like many things at Europa Park – much too cluttered. The last room, however, is very naked and shows the self-congratulation of the family. Of course, you can be proud of your own lobbying, but it leaves a very bland aftertaste, which is why you should avoid this attraction at all costs.

Schlittenfahrt Schneeflöckchen

The Schlittenfahrt Schneeflöckchen, on the other hand, is an absolute must. Although Bench – The Ride is actually very well visible, it is unfortunately a bit lost in the Russian themed area. The ride itself is one of the best dark rides in the park, despite its inconspicuous appearance, and should therefore be tested by every visitor. The soundtrack is suitable for the ear and effectively underlines the cheerful atmosphere of the ride.

Euro-Mir

A similar catchy tune can be found on the prototype of Mack’s spinning coaster, the Euro-Mir roller coaster. This roller coaster is a remarkable ride, because thanks to a drum lift and some blocks the capacity is high enough to keep the queue constantly moving, at least it does, if there aren’t any problems in the meantime. The ride is powerful and if you are lucky enough to ride the second part backwards, it’s really awesome. The curves tapering steadily towards the end form a racy finale, which you can unfortunately only find very rarely.

Whale Adventures

With the monorail arrived in Iceland you can see one of the biggest misdeeds of the park. How one can get the idea to remove the outer cannons of the interactive water ride Whale Adventures remains one of the biggest mysteries of all; after all, as a passenger one wants to get wet. The popularity of the attraction has at least suffered a big slump, after all, the ride is now only interesting for the smallest park guests.

Wodan – Timbur Coaster

In the background you can see a coaster that unfortunately hasn’t been awarded the title again until this year, because actually there should have been a wooden coaster at Europa Park long ago. Wodan – Timbur Coaster is the name of this gem from GCI, whereby the subtitle Timbur Coaster is of course absolute nonsense. Despite the fact that I didn’t really have any expectations of Wodan, I was positively surprised by the ride.

Wodan is, in contrast to most other GCI tracks, not a real Twister, but a mixture of Out & Back Coaster (straight course with several hills) and Twister (curves, baby!) and thus a mixture that doesn’t appeal to everyone and will disappoint especially the Twister fan fraction. Fans of the neat Out & Back layout will definitely find their fun on Wodan, though.

Walking through the queue of the wooden roller coaster Wodan you will be surprised at first how professionally everything has been laid out, after all you are not standing on uneven terrain somewhere between the wooden roller coasters like at Eftelings Joris en de Draak, but on a well constructed wooden path, pass some beautiful caves dedicated to various themes of Nordic mythology and march below the big helix at the beginning of the ride. Quite strange is the circumstance that nothing has been scribbled yet.

After finally being divided into the rows, the trip on Wodan can already start, but the trip to the lift alone is a real highlight. After climbing it, after an unexpectedly high drop, the ride continues with full force into the first curve only to be released quite steeply into the actual first drop. The following curves, tunnels, hills and valleys on Wodan are a dream, but the driving fun is interrupted by a rather unsuccessful part of the layout, only to be released into the last curve combinations. The whole thing is laid down on Wodan with a brute force I didn’t expect in Europa Park anymore, the constant high speed does its best.

Wodan is not a perfect wooden roller coaster, but it is one of the better ones I have come across from time to time. It beats the often highly praised twister Troy in his sleep, but can’t hold a candle to Joris en de Draak Water. Also in national comparison Wodan lags behind the colossus of the Lüneburger Heide, but in southern Germany it is the first choice, which is also a rather easy game with its one competitor.

Blue Fire Megacoaster

Since I criticized the neighboring Blue Fire Megacoaster three years ago too deeply, another ride had to be dared to update this criticism if necessary. As always, pure chance wanted me to take a seat in the second row and thus find an optimal basis for comparison, and to my surprise a lot has happened.

The dark ride part is still absolutely nonsense, after all there is now an animatronics that tells you that something is going wrong. The launch has increased in intensity and is now similar to the launch of a Vekoma Launched Coaster and not the Dutch company’s Motocoaster. Therefore the following part is not driven through so slowly anymore and you can finally guess that the looping is a looping. The part after the block brake is still not very exhilarating. The corkscrews are still going too fast, at least hangtime would be an advantage here, the curves that lead into the still failed roll are somehow stupid and so one is happy to be back at the station again.

Blue Fire is a nice roller coaster for in between, but that’s it, I still can’t understand the hype about the ride and probably never will. The real attraction next to Wodan in this area is and will be the coffee house in close proximity to Blue Fire.

Tiroler Wildwasserbahn

Passing Portugal with his wannabe Spillwater imitation Atlantika Supersplash, where I had to give up a ride due to time reasons and listlessness, I went to Austria to finally get wet. The Tiroler Wildwasserbahn is one of the best in Europe and due to its first shot it is definitely a very wet log flume. You won’t notice the age of the ride at all, so you can literally race through the canal, just like on the Wildwasser 1 in Heide-Park. It is nice to see parks taking care of their rides and renewing them if necessary.

Alpenexpress Enzian

The Powered Coaster Alpenexpress Enzian shares a grotto with the log flume and a walk through the magical world of diamonds. The ride itself has quite a bit of speed and, like the other attractions that share the grotto, is worth a ride just for the scent in it. The wave swinger next door shows that the park also knows a thing or two about rides and runs it, untypically, not on a low flame.

Jungfrau Gletscherflieger

Speaking of rides, the best flat ride Europa Park is in the Swiss themed area and is called the Jungfrau Gletscherflieger. This unique ride is not dissimilar to a Zierer hang-glider, but it offers much better comfort and more fun and can show a high degree of swing, especially when riding at ground level. Since the waiting time at most roundabout rides is close to zero, you should definitely try a ride or two on this ride.

Schweizer Bobbahn

The Schweizer Bobbahn in the same theme area is not really a good roller coaster despite its idiosyncratic layout, which you can somehow understand on a prototype. However, for the family audience of Europa Park, which certainly didn’t come in contact with any other bobsleigh coaster, this is certainly sufficient. But the beautifully designed inner courtyard and the general design of the coaster can convince.

Matterhorn Blitz

Three years ago, the extended Wild Mouse with vertical lift Matterhorn Blitz was my 100th roller coaster, a fact I was not very satisfied with. However, as my reputation against Wild Mice grew from year to year and I got to know the dead-braked X-treme racer from Legoland Billund, I have to admit that the ride is definitely worth a ride. Unfortunately the layout does not correspond to the standard layout and a certain madness as you can find on a Wild Mouse by Gerstlauer or Maurer Söhne is missing, but you can take a ride without hesitation, even if you should reconsider this at a certain queue length.

Eurosat

In the French themed area you can find by far the best roller coaster of Europa Park, the dark roller coaster Eurosat. Due to the immense capacity, one never really queues for a long time, even if the queue is full. The ride itself is very powerful, although slightly jerky and equipped with some strong jolts. The curve combinations are sometimes so bumpy that it can only be good. The biggest innovation are the magnetic brakes which bring the train to a halt with such a force and without any acoustic warning that it borders on sheer madness and underlines the characteristics of the track.

Universum der Energien

The ride Universum der Energien hidden under the roller coaster is the best dark ride in Europa Park. Some would say it’s the sleepy, boring boat ride Pirates in Batavia, but such a ride has to be consistent and not overloaded and that’s the ride through the land of the dinosaurs.

Silver Star

One of the novelties for this year can be found in the Mercedes Benz exhibition, where they have fortunately decided to decorate the walls with new motifs. To make the whole theme more French, the racing driver Michel Vaillant is now decorating the hall. Unfortunately, the cult intro song for the cartoon series was not included, which would have been good for Silver Star.

The ride, built by Bollinger & Mabillard, looks quite good from the outside, scores with its height and its speed, but apart from that the ride can’t do much. Unfortunately the ride comfort is not equal to any ride built by Intamin of this height and so there are annoying vibrations in the valleys. The floating airtime is unfortunately on a very low level, at least I remember it a bit more pronounced and the last curves don’t make the ride any better, so that the ride is the worst coaster of this manufacturer in Germany, even if the Black Mamba from Brühl is only a touch better.

Magic Cinema

At Magic Cinema you can watch a new film this year, which is a daring self-production. The story is suitable for children and seems to have been made perfect for the French audience by the well-rehearsed effects, after all I have never seen so many people being scared by such predictable things.

The animation of the film surprised me in a positive way, I only expect such a detail accuracy from a few companies, only at one point I would have wished for something more, because at least I could hardly make out a difference between before and after immersion in the water, and at the same time animals in particular should just drip with water. The 3D effects are offered in a purity that I have never seen before in a theme park. The child-friendly humor is very similar to the humour you are confronted with, especially in Denmark, which is a pity. There was a part with a flat joke that only I could laugh about, which, like in the new Muppet movies, speaks rather against the audience and not against the kind of humour. Here I would have wished for more in this respect. One part that could have been better avoided is the part with the Euromausi and the commentary about the men, in general you could have avoided the Euromausi in the film, because apart from the fact that she is there she makes no difference. Apart from the dubbing voice of Euromaus, it has to be pointed out that Böckli is one of the leading roles in the film, after all the best mascot of Europa Park, as well as the commentary with the wooden roller coaster Wodan.

Piccolo Mondo and Geisterschloss

In the Italian themed area you will find last year’s novelty, but also two dark rides. The short ride in Piccolo Mondo through Italy is well done, due to the high kitsch content again a bit too kitschy, for in between the ride is at least quite nice. The big dark ride Geisterschloss right next door offered a live assassin in the queue but otherwise the creepiness was gone. The ride is neither convincing as a dark ride nor as a ghost train, everything is mercilessly overloaded and simply not nice to look at. The fact that you leave the ride through the little horror shop doesn’t make the ride any better, but it gives you an idea for the redesign of the ride, because Audrey II would surely be happy about food on the assembly line.

Pegasus, Poseidon and Fluch der Kassandra

One area that is best visited late in the afternoon is the area of the EU’s problem child: Greece. Here you can find the witches swing Curse of Cassandra, the darkride expedition Atlantis, as well as the two roller coasters Pegasus and Poseidon.

Pegasus itself used to be the most airtime-rich roller coaster at Europa-Park, three years later I was surprised not to feel it anymore. In general, the ride did not stay in the same condition as before, so in contrast to the newer Carrecaminos Bip Bip from the Spanish Parque Warner, the ride was even slightly jerky.

Poseidon is still the epitome of a water coaster. A great, although at some points borderline, track and shot rides where you can also get wet with a little luck complete the experience. The setting of the ride and the possibility, like on Atlantika Supersplash, to get into a soak zone is still exemplary.

The fact that Spaniards babbling from all sides can spoil a ride in a witches’ swing was shown in Parque Warner, but that three prepubescent girls are enough is a pity and shows once again that the youth is absolutely spoiled. Such a type of attraction is only visited for one thing: the story and the music. Since the story is unfortunately lost in the Fluch der Kassandra anyway, you should at least be able to let the music take effect on you.

Pictures Europa Park

Closing Worlds

The Europa Park is and remains one of the best European theme parks, the fact that I didn’t watch any show this year was only because the only show I was interested in premiered at the end of the month with Ornella de Santi. Especially worth mentioning is the way the park’s opening hours are handled, so far no visitor has to leave the park before one hour after the original closing time, which is neither possible nor common practice at most other amusement parks.


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