Tag: Boomerang

Hooray, I’m in the movie

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Movieland Park

The Movieland Park, founded in 2003, is the latest project of the Amicabile family, who already laid the foundation stone for today’s Canevaworld Resort in 1965 with a dance club. The resort now consists of the water park Caneva Aquapark, the Disko Night Festival, the dinner show Medieval Times and the Rock Star Restaurant, as well as the theme park.

After having bought the tickets at the central ticket offices at the water park, we follow the path along the high street in order to get to the actual forecourt of the film park. Until the previous season you entered the park through the big studio gate, now two buses serve as the new entrance portal of the Movieland Park.

Tomb Raider Machine

As a result, there is now a separate entrance to the Tomb Raider Machine, a Windshear by Zamperla, which is generously staged with water, fire, fog effects and some drama. Basically five different ride programs can be driven here, which are randomly determined by a selection disk, as long as the Ride-Op does not brake the disk before and then adjusts it to a mission. Depending on the selected mission, the duration, intensity and effects vary. The show of the system is more exciting than the ride itself, which is a bit jerky.

Horror House

By walking through the old entrance portal, you find yourself right on the Main Street of the park, in whose corner house there is something gloomy or better said in whose cellar there is something pitch dark hidden. Since its opening, the Horror House offers the park guests a year-round scare haunt, thus a non-temporary cabinet of horrors with actors, similar to the Krüeger Hotel in the Spanish theme park Parc d’atraccions Tibidabo in Barcelona. The queue line sets the mood of the attraction, which gains momentum in the completely bloodstained lift.

Released directly into the darkness you follow the red lights of the surveillance cameras through absolutely dark corridors until you slowly but surely get used to the darkness. From time to time we now pass through larger scenes, all of which have a reference to horror film classics and have been elaborately designed. I especially liked the cold room scene with the body bags, which first blocked the way through movement and then showed their full effect through the use of a stroboscope and Freddy Krüeger from the Nightmare on Elm Street movies. Fortunately a group of two people caught up with us in the last room in front of the stairs leading up. They took their way with the camera light of their smartphone and thus took away the atmosphere. At the end, Michael Myers from the Halloween movies waited with a chainsaw for us. Worried that it will continue as long up here as it did in the basement, we found the exit to the attraction.

The Horror House is a very atmospheric and beautifully designed haunt with an amazingly long lead time. The 600 seconds given by Movieland Park itself can only be reached if you are guided through the corridors with your hands on the shoulder of the person in front. It took two of us a little longer to find our way in the pitch dark corridors. The actors do their job very well, even though you can almost always guess what will happen right away. Compared to the similar Krüeger Hotel I like the staging and the story line in the Parc d’atraccions Tibidabo a little bit better, yet here you have a truly outstanding attraction that you definitely shouldn’t miss.

Addams House

However, it should be clearly pointed out that a visit under the age of 14 is not permitted. But also that is not a problem, as there is at least another access down to the cellar in the Addams House. Here, you pass through some rooms and corridors of the big horror haunt and get brilliant entertainment by Zombie-Hitler. Alone this moment is so delightfully abstruse that you inevitably have to love the park. After a short time, but with a really wide grin on your face, you leave the attraction. Understandably, the access to the Horror House is closed during the Addams House playtime.

Overdrive

On the back of Studio 1 a live set is currently located, on which the film Overdrive, generously advertised in the park, is recorded. In principle, this is a small stunt show disguised as a film recording, in which some park visitors are also involved. Some stunts will be shown, then the footage will be cut and at the end the film will end up on YouTube or the park’s website. Two takes per day are recorded, but the times were not advertised, so we both missed them.

The Illusionist

But we were able to watch the magic show The Illusionist, which is roughly based on the film Prestige. The show shows some well known magic tricks, which are accompanied by all kinds of effects. Unfortunately, I couldn’t follow the story very well, as we were a bit late for the show. Nevertheless, the staging is quite well done and the theatre itself is impressive.

Terminator 2 – 5D

Right next door you will find Terminator 2 – 5D, an Interactive Theatre, where you shoot with pistols at a screen, but also at plastic figures. The terminator animatronics are convincing, as well as the numerous additional effects. Unfortunately, you can’t see much of the screen from the side. The game is fun and certainly worth playing, even though the game is hard to beat and therefore ends with Game Over before you reach the end.

U-571

Passing the Fazenda di Zorro or the remaining entrances of the Rodeo Grill Restaurant (which was decoupled from the park in 2012 and was supposed to entertain visitors after the opening hours of the two parks (and during lunchtime in the Movieland Park), however after two years of operation it was sold and finally renamed to Ristoburger Zero21), our way heads towards the submarine simulator U-571.

In a submarine bunker we first wait for more recruits to be allowed to enter some time later by our commanding officer. He informs us, while a staggering sailor is joking with a bottle full of rum behind him. During this show the Allies suddenly attack and several bombs fall into the harbour basin. We have to flee, but all roads are blocked and so we approach the submarine of the model U-571 at a rapid pace, climb down, hurry through the underwater vessel and take a seat in a chamber while the boat is submerging.

Our drunken comrade now tries to save us both and the submarine and tells me to open and close some valves in it; meanwhile we dive further down, but something is leaking. Full of haste I now try to comply to the specifications and getting loaded with water every now and then, while the rest of the recruits are shaken a little during our dive. At one point, one of the valves is gone and the amount of water can hardly be stopped. However, like a miracle, we manage to surface without being discovered by the Allies.

The U-571 is a spectacular attraction with a breathtaking pre-show and outstanding actors who really put a lot of effort into staging this attraction. Unfortunately, there is not much to see of the replica of the submarine in scale 1:1, as you run through the boat rather quickly. The actual simulator is just an old movie rocket without a movie, shaky benches and a brilliant, yet extremely oppressive atmosphere. If you are sitting in the front left of the boat, you have absolutely no chance to avoid the water, so that you get drenched on a similar level as jumping into the neighbouring Lake Garda.

Troncosaurus

If your clothes are still dry, take a ride on the Troncosaurus log flume, which looked more like a multi-storey car park than a splashy tree trunk ride down two drops before the redesign of the dinosaur area at the bottom of the park. Nowadays, the ride looks just as good as the rest of the area, which is now an ideal children’s area with matching sound.

After leaving the station, you head towards the first lift hill in a wide right turn. When arriving at the top, the track turns around below a later section of the track, whereby the entrance and exit run almost next to each other. Thereafter, the first descent of the log flume follows, whereby the transition into the lower canal is quite abrupt and makes for very good splash. After that you find yourself in another long right-hand turn, which leads parallel to the first lift hill into the second ascent. At the top, you follow the same route as on the lower floor. Instead of taking the second drop, you head straight on to the other side of the lift, where you cross a left-hand bend and slowly but surely approach the second drop. The run-out section is not quite as wet as at the small slope earlier on. A further left turn is then taken before approaching the station.

Troncosaurus is a very special log flume made by L&T Systems, which not only accommodates as much water as possible in as little space as possible, but also makes good use of the applied technology and is as energy-saving as possible, e.g. by using only one water circuit. The ride itself is quite nice and the wetness level is quite respectable, especially since water is constantly dripping into the boat even beyond the two shooting runs.

BC-10 Airlines

Next door, the BC-10 Airlines boat swing is swinging upwards, though the original swing of the former Looping Starship Aerovarvet in the Swedish leisure park Liseberg was significantly higher. When the looping madness of the 80s started to subside, Liseberg rebuilt the Looping Starship by removing the counter weight and the shoulder harnesses. Later, it disappeared from the landscape for several years before Movieland Park took pity on it and bought and redesigned the ride. In its current form, the boat swing entertains passengers in three different cruising programmes, although there is no clear difference. Unfortunately, the ship always brakes a little as soon as it has reached the maximum swing. The tight lap bars and the ride circle are reducing the fun slightly.

Brontojet

Also rescued from disappearance was the Schwarzkopf City Jet Brontojet, which had previously entertained its passengers for several years in the English amusement park Lightwater Valley and was briefly operated by the Bemboom family in Loudoun Castle and then stored. In 2010, Brontojet was opened as the second roller coaster of Movieland Park.

After taking a seat in the comfortable train, a short track section leads us straight to the spiral lift of the ride, which supplies the driving motors of the two cars with power by a conductor rail and thus continuously transports us upwards. At the top, we can enjoy the view of Lake Garda for a short time before we head towards the ground. With full power we cross the first valley, where after we rise again. Just below the first descent, we now drive around the spiral lift in a gentle left turn, before we throw ourselves back into a steep turn towards the ground. Following a turn near the ground, the trail continues several metres upwards and descends as quickly as possible in an oval downhill helix, carried out in the finest Bavarian curve style. Right after a very abrupt transition from an inclined curve into a straight line, which is certainly not laid out according to the heart line, you immediately stop at the powerful brake of the course.

The Brontojet is a truly intense roller coaster with, aside from the transition to the brake, absolutely great ride characteristics. For me it was the second City Jet ride after Nigloland’s great Bobsleigh coaster. Here, the ride was also very convincing, even though the design of the ride is far more minimalistic. The Brontojet was my 400th roller coaster in Europe.

Bront-o-Ring and Octopus

Not quite as spectacular is the Bront-o-Ring, a small powered children’s roller coaster with a triangular layout, whose train is supplied with power via a cable in the middle of the ride. Here you turn round after round for a longer time interval, until you are happy to get off again. Opposite is Octopus, a stylish polyp ride by Soriani & Moser, which offered a long and joyful ride.

Back to the Back Stage

With Back to the Back Stage you will find a rather unusual monorail where you can take a look behind the scenes of the amusement park. For this reason you should only visit the ride after visiting all the main attractions. The monorail stops at several stations with some displays, where Doc Brown gives some insights into the individual attractions in short movies, before he is shocked by the catastrophes of Magma 2.1 and wants to travel back into the future. As a result – at least from the story’s point of view – at the end of the ride, we actually travelled one day into the future.

Kitt Super Jet

From the monorail you get a good insight into the wild action of the Kitt Super Jet boat drivers. Inspired by the still popular series Knight Rider (Supercar in Italian), the Foundation for Law and Constitution has commissioned a manhunt. However, not in Kitt, as that would be a catastrophe in terms of capacity, but in Super Jet, the equivalent on water.

After Michael Knight has personally prepared us for the mission in perfect Italian, the boat is lowered and leaves its harbour in reverse. The 600 hp engines start soon after and the boat accelerates in an incredible way. With full throttle we now turn lap by lap over the basin area of the neighbouring stunt show while avoiding some targets that have been lowered in the meantime. Occasionally the driver brakes spontaneously, turns a pirouette and accelerates at the same rate. Then, the boat disappears into a shed, which turns out to be an ambush. Under fire we leave the building shortly before it collapses and speed over the water surface once more, triggering some additional water effects. Shortly afterwards, the boat returns to its parking bay in the safe harbour of the Foundation.

Kitt Super Jet is probably the most breathtaking water attraction in Europe and definitely one of the attractions you should have experienced in your life. The integration of the series Knight Rider fits somehow perfectly, which is further underlined by the appearance of the original German superhero David Hasselhoff as a somewhat aged Michael Knight in the short pre-show. The ride offers a lot of speed, action and adrenaline and yet something for everyone. Therefore, you inevitably have to take your hat off to Movieland Park, which proved with Kitt Super Jet that Canevaworld Resort is the better choice for a successful theme park day at Lake Garda.

John Rambo Stunt Show

Shortly after 5 pm the gates to the John Rambo Stunt Show opened and the remaining guests could fill about half of the huge show arena. Shortly afterwards an old comrade of John Rambo and some visitors were captured by terrorists. John Rambo hurries to free his colleague, but is discovered quite fast. It begins an action sequence with motorcycles and quads, at the end of which Rambo has to take a good beating. In the meantime his comrade has freed himself and together they establish some order. A female soldier working undercover joins him, only to be caught in an ambush shortly afterwards. Meanwhile the hostages (the captured visitors) are brought to the main stage and can experience the spectacle up close. As the only person not captured, Rambo tries to free everyone in a one-man army sequence. He first frees his colleague and opens the escape routes, whereupon an action-packed show on the water takes place, in which also the remaining visitors gets quite wet. After most of the enemy forces have been defeated and the hostages have been brought to the front stage by motorboat, there is a little love story between Rambo and the soldier, who is fatally wounded by the only remaining adversary. Rambo then pulls out his bow, fires an arrow at the oil barrels on the opposite side and triggers an explosion that sets the enemy on fire.

Even though the story is a bit lengthy at times, the John Rambo Stunt Show is a show absolutely worth seeing. The show is fortunately does not use any slapstick, like its boring car stunt show counterparts often found in amusement parks around the world. Beside the well choreographed fighting performances there are also some surprises, which are well staged. The big cast does its job very well, which is why you shouldn’t miss out on the show.

Magma 2.1

Another highlight follows with Magma 2.1, a ride similar to the Studio Tram Tour from the Walt Disney Studios Park near Paris, only with spectacular special effects, motivated drivers and lots of action.

After the car has left the station, a short turn follows at the rear end of the Hollywood Action Tower, then the truck mercilessly plunges down a steep embankment, lifting the passengers neatly out of their seats. Passing the back of the stunt show, we now enter an obstacle course with several delightful mechanical gimmicks. First, we cross a small water basin above which a tanker truck empties itself, which in theory can be very wet. After that, we cross an oversized seesaw and in the next moment we are dried a little by cold air blowers. With a decent speed we drive around a small building, into which we enter shortly afterwards. Inside there is a small laboratory, which is now destroyed due to some earthquakes. The truck is shaken and there are some fire and light effects. A siren sounds and we leave the building as soon as possible. Outside it is burning everywhere and the landscape is mostly destroyed, to all misfortune the road breaks under us and we land quite surprisingly in water. By forced measures, we drive through another water basin where there is a water effect directed at the passengers. Likewise, the truck drives a little in reverse until it can drive up the embankment in another attempt. Once again at full throttle we pass the same road along the stunt show as at the beginning of the ride and arrive shortly after at the station, where the driver is usually bid farewell with some applause.

Magma 2.1 is a genuinely funny and effect overloaded attraction that unfortunately cannot be found elsewhere in Europe, even though in the English Chessington World of Adventure on Zufari you can at least guess the potential behind such an attraction. The drivers on Magma are merciless and the built-in mechanical effects are totally amazing, which is why you have to get a ride or two when you are at Movieland Park.

Hollywood Action Tower

You should also get a ride on the Hollywood Action Tower, a first generation free fall from Intamin. It was built in the 80s, before you could establish space-saving free fall towers with magnetic brake systems in amusement parks in the mid 90s. Before the system moved to Movieland Park in 2006, it stood until 2001 as Drop of Doom in the Galaxyland Amusement Park of the Canadian West Edmonton Mall, before it was replaced by a double shot of about the same height made by S&S.

After taking a seat in the car and closing the over-the-shoulder harness, the car sets itself in motion and first moves a few meters backwards into the elevator shaft. The nacelle couples into the shaft at the back and is immediately transported up the tower. When it reaches the top, the car is pushed forward a little to the sound of the Twilight Zone soundtrack and couples into the free fall shaft. Under a fog effect the letters of the Hollywood Tower logo break in and we fall into the depth. The first meters of it we approach the ground in a straight line, but then the falling distance bends in a quarter circle, consequently we find ourselves lying on our backs rather fast and continue to move before the mechanical brakes stops us noticeably. A dog grabs us and transports us over a turnout one level down, where we return to our starting position and are immediately brought to the station.

The Hollywood Action Tower is the only one of its kind in Europe and one of the few remaining rides of its kind in the world. For this reason alone, the trip to Movieland Park is worthwhile. The freefall experience is just an awesome experience – althrough, also a wacky one as well, which is why we joined the queue quite often.

Police Academy

As you could expect by the Police Academy, which has its own simulators for the driver training of the new recruits, also features a quite bizarre ride experience. The film shown here is quite good and, compared to other simulations, fortunately doesn’t use cheap computer generated animations instead of real film material.

Our driving doesn’t seem to be that great, which is why Lieutenant Harris interrupts the ride. Through a trick he is lured out of the room, whereby Mahoney and his clique take over the simulators and let us dance the duck dance first. After the return of Lieutenant Harris the original film is continued and brought to an end. All in all, this results in a really extraordinary ride that stands out from the crowd and thus offers a refreshingly different experience that you should not miss.

Diabolik Invertigo

Past the small Monza track Route 66 our way leads through the entrance portal to the forecourt of the Movieland Park, from where two bridges lead us to our next destination, the Diabolik Invertigo by Vekoma, which previously was Two-Face: The flip side at Six Flags America from 1999 – 2007. Even though the dismantling was handled rather carelessly at that time, the ride looks like new today and has been given an onboard sound and a continuous storyline by the Italian cartoonists A.M. Ricci and M. Ricci, as well as the lyricist Mario Gomboli based on the original comic Diabolik by the sisters Angela and Luciana Guissani.

The course of the ride is similar to that of a boomerang built by the same manufacturer; i.e. after the lift, the station is passed through, whereupon, in a Cobra Roll, you are turned upside down twice before seeing the world upside down for a third time in a simple loop, before you are taken up to the second lift, in order to experience the whole game again in the opposite direction. Nevertheless, there are some minor differences between an Invertigo and the standard Boomerang, e.g. the train is located underneath the rail and has a completely different seating arrangement, where you can even face each other, and the used technology is a bit different.

Like the Tornado of the former Danish theme park Sommerland Syd – now Triops in the French theme park Bagatelle – the ride comfort of the Diabolik Invertigo is extremely good. The ride is smooth! Due to this, I enjoyed the ride very much and could have done it over and over again. Of course, the excellent comic design of the ride contributes to this and the onboard sound was also a welcome surprise.

Pictures Movieland Park

Conclusion Movieland Park

But actually the whole Movieland Park was a big surprise, as such a park is hard to find. Beside its terrific main attractions and the rather negligible flat rides, the park offers a lot of entertainment at every corner, so you can spend a whole day at the park with only a few repetitions. As soon as you leave the Movieland Park, you are permitted to walk over the red carpet, applauded by all the actors that you had the chance to see during the day. Although it’s incredibly kitschy, it’s the kitsch that finally made Movieland Park my new favorite among all European theme parks.

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Il Viaggio dei due Runner Day 3 / Movieland Park

Bavaria’s strongest piece of leisure

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Preface

On my way to Munich, I have already passed Bavaria’s strongest piece of leisure twice; the first time ignorant of the existence of the amusement park as a child, the second time out of respect for my passenger, who had promised to visit the park to another person for years, and a rather strict daily schedule. Since I accompanied my father on a bicycle tour along the Tauber river to the Main river, starting in Rothenburg ob der Tauber, the 30km long detour off the A7 motorway to the Freizeit-Land Geiselwind was finally tackled.

Freizeit-Land Geiselwind

The amusement park, which opened in 1969, has its origins as a bird and pony fairy tale park, a mixture that was already extraordinary back then. Although remains of the fairy tale park have been preserved, the animal enclosures dominate the amusement park, which has also featured an increasing number of rides since the 1980s. Since then, these rides have generated the greatest interest. At the same time the zoo is quite respectable and, similar to Weltvogelpark in Walsrode in Lower Saxony, it can boast a great variety of species in sufficiently large aviaries and enclosures.

T-Rex World

In terms of design, however, the Freizeit-Land Geiselwind is dominated by extinct creatures. In addition to a railway in dinosaur look and numerous figures, the dinosaurs are particularly popular in T-Rex World. This is a small exhibition worth seeing with animatronics, which were skillfully staged. Interestingly, the exhibition here convinced me more than the guided exhibition of newer Era T-Rex in the Portuguese amusement park Zoomarine, despite the much smaller size.

T-Rex Tower

In front of the hall is the T-Rex Tower, a Shot ‘n’ Drop by the manufacturer HUSS, a vertical ride that has become extinct at least at German fairs. While Robrahn’s Countdown travels through France under Fleur and Goetzke’s Freefall was sold to the Australian amusement and water park Adventure World near Perth, Roies Shot ‘n’ Drop is the only ride remaining in Germany. Like the towers mentioned above, the T-Rex Tower delivers a solid ride with a very nice shot up and drop down. Despite the lack of negative acceleration compared to the manufacturer S&S Sansei, the ride is always a little more fun due to the beautiful launch, although the end of the ride is reached after just one cycle.

The HUSS Corner

Next to two water basins with Nautic Jets and water roundabouts, which always had the longest waiting time, there is a corner exclusively consisting of rides from HUSS, as could be experienced before, in a similar constellation, in the Lower Saxony amusement parks Heide Park and Serengeti Park. Besides a stylish condor called Ikarus and a Ranger called Shuttle, you can ride an Enterprise, as well as a Break Dance. All rides offer a long ride with more or less balanced programs. I found the acceleration phases of the Ranger interesting and at the same time a bit disturbing, because it always decelerated in the valley, which was never the case with the identical Fliegender Hai ride in Hansa Park.

Wildwasserbahn

If you follow the paths further on you will come across the big log flume Wildwasserbahn with its three shots. This is a slightly modified version of the standard model of the French manufacturer Reverchon, which has been supplemented by a further downhill run. Although the ride reminds of a funfair of the past due to its large back wall, the general design of the ride, especially the nicely designed waiting area, is successful.

After the boat has left the station, one rumbles a little through the channel along the maintenance hall of the Freizeit-Land Geiselwind before taking the first lift. At the top you make a small curve behind the back wall on rollers until a friction wheel pushes the boat into the first shot. This is designed as a double gradient and releases you a little wet into the further course. One S-curve later it goes up again and a small right curve follows. Now the smallest descent of the ride follows and as fast as this one came, as fast the end of the run-out distance is already reached and you rapidly make another right turn. After a slightly longer straight, the boat accumulates for the last time in altitude. Arriving at the top, the game repeats itself and a high shot follows without any interruptions. Arrived at the bottom you get properly moistened just before you continue the rest of the way towards the station. By ingenious technology, which I actually noticed for the first time at the ride, the boats are stopped briefly before they are gently put on the conveyor belt of the station without crashing against the other boats.

Top of the World

Similarly interesting from a technical point of view, but on a much larger scale, is the Top of the World observation tower, which can be briefly described as a monster with a capacity of 132 people. The formerly largest transportable ride in the world measures a total height of 95 m, with a ride height of 72 m. The ride was built in the mid-90s by Nauta Bussink for the Bremen showman Finnendahl, who operated the 270-tonne structure until 1998. Compared to the modern free-fall towers of the manufacturer Funtime, the ride is very massive, which is already noticeable by the four outriggers. The tower itself is relatively wide, which certainly did not make transport easy. The technology of the nacelle, however, is very simple and is driven by two steel cables that are rolled up and down and thus lift and lower the counterweight and thereby influence the position of the nacelle. After the gondola has been lifted a little, a power rail ensures the supply of the motors for the rotation of the gondola. The ride itself, however, is relatively slow in both movements and thus offers a good view of the amusement park. Thereby, also the air-conditioned gondola is a very special, as most of the seats are designed as standing places and are arranged in two rows. Moreover, the view from the windows is surprisingly clear, as there are no traces of scratches and other wear and tear.

Drehgondelbahn

Quite inconspicuous and easily overlooked even from above is the Drehgondelbahn, a truly unique roller coaster at Freizeit-Land Geiselwind. This is the only spinning coaster of the company Zierer, which has been making its rounds in the park since 1994. This fact alone is more exciting than the actual layout of the ride, as there is only a simple oval with a descending helix in the middle. As simple as the track seems to be, as good it makes the gondolas turn, so that a thoroughly amusing ride emerges. For three rounds, one makes the way through the course before the gondolas are automatically aligned in the station.

It’s strange to find only one roller coaster of this kind from Zierer, because the potential to be a box office hit today is shown by the compact spinning coasters from SBF Visa with their even simpler layout. Especially for smaller amusement parks a ride like the Drehgondelbahn would be more than ideal, so a new edition of this classic ride would certainly not be the worst idea.

Boomerang

In an alignment with the Top of the World observation tower and the Drehgondelbahn, there is the biggest roller coaster of Geiselwind, a Vekoma Boomerang. Although it looks relatively normal from the outside it is an elaborately designed ride in Australian style, including the eponymous throwing weapon. Access to this ride is around the engine room, whereupon you are directly inside the station. Compared to similar rides, this one hardly vibrates when the train passes through, which is why, interestingly enough, televisions adorn the station.

After the driver has gripped the train, it is slowly pulled up the first ramp. At the top of the ramp it automatically disengages, whereupon the train descends and crosses the station at top speed. The train then shoots up the first manoeuvre and stands upside down for the first time, before it goes overhead again in the second half of the Cobra Roll. A classic looping, which is powerfully passed through forwards, is added. In its exit, the first brakes are applied and thus reduce the speed just before the train engages a lift chain. This in return brings the train back to its maximum height before a mechanism lowers it and thus releases the train. Now it goes backwards down the second ramp and at top speed into the loop, which has now noticeably gained pressure. The Cobra Roll, on the other hand, will pass through a little slower before the train enters the station once more and the brakes engage. The riding characteristics are, similar to the ones from the Belgian amusement parks Bellewaerde and Walibi Belgium, extremely good and invite to several rides.

Cobra

On the site of the former roller coaster Marienkäferbahn, which left Freizeit-Land Geiselwind for reasons of cost and age, this year’ s roller coaster Cobra by showman Agtsch is located. In the years before, the place was already occupied by two Wild Mice, the indoor roller coaster Black Hole and a ghost train, which is understandable on the one hand, but on the other hand is not really needed due to the already large offer of rides. Because of the barriers along the ride this place doesn’t look very nice, a non-temporary attraction would surely be an advantage here in the future.

Blauer Enzian

Right next door is a Blauer Enzian roller coaster of the same name from Mack. Like many rides at Freizeit-Land Geiselwind, this is a former travelling ride, which can be seen by the two water basins that make the sole of the ride heavy. Since the bridge above the station was not built, the exit happens on the same side as the entrance. Therefore, one side of the train was closed off.

The ride begins with a wide left turn, followed by a leisurely climb. Once at the top, the train makes a downward helix to the left before climbing up a steeper straight. Now the train makes a wide downward right-hand bend, crosses under the track just passed and surrounds the first downward helix in another left-hand bend. With much more momentum, the car now crosses the station and then lap by lap the course. Except for the abrupt second change of direction, it’s a nice ride.

Fränkische Weinfahrt

In addition to a 4D cinema, which is currently showing a film in the style of Jurassic Park, the Freizeit-Land Geiselwind also offers a number of flat trips, all of which have been well designed. However, only the Fränkische Weinfahrt (Franconian Wine Ride), a teacup ride, shows the regional reference of the park. Everything else is bavarian, which also keeps the gastronomy prices in a good range.

Pictures Freizeit-Land Geiselwind

Conclusion Freizeit-Land Geiselwind

The Freizeit-Land Geiselwind is a rather neat amusement park. The rides are all in a very good condition and generally appear to be very well maintained, as are the gardens. Despite the parcel-like division of the rides, the routing does not remind of the computer game Roller Coaster Tycoon, a state of affairs that can be experienced for example in the rear part of the Erse Park in Uetze, so that a harmonious overall impression is created. Although the origin of many of the rides cannot be denied, the impression of a permanent funfair is by no means created by the nice integration of the rides. At least, the Freizeit-Land Geiselwind easily manages to entertain its visitors for a few hours and offers a good price-performance ratio, which is why I would like to call the park Bavaria’s strongest piece of leisure, which makes the park’s slogan more accurate (but the competition in this federal state is very manageable).

 

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Freizeit-Land Geiselwind

Leisure culture Vienna style

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Wiener Prater

The Wiener Prater is a very spacious park area in the middle of the Austrian capital with a variety of sports facilities, a planetarium, the Liliputbahn and the amusement park Wurstelprater, which is typically called Prater. Similar to the Dyrehavsbakken on the outskirts of the Danish capital Copenhagen, the Prater is divided into plots and is fed by various showmen, so that the park itself partly resembles a folk festival. But on the other hand, the showmen are responsible for the design of the Prater themselves, so as a result, there were some very nice corners in the Prater.

Wiener Riesenrad

From the station Praterstern, it is only a few metres up to the Wiener Prater. One enters this place at the Riesenradplatz at the foot of the Wiener Riesenrad, the famous landmark of the city and the Prater. Built in the year 1897 to celebrate the 50th anniversary of the throne of Emperor Franz Joseph I, the approximately 65 m high wheel is the oldest Ferris wheel in the world and was the highest Ferris wheel in the world between 1920 and 1985.

After paying the not exactly low entrance fee, we go to a small exhibition in which miniatures about the history of Vienna and the Prater are shown in reconstructed wagons. The mirrored walls are interesting, whereby the room seems to be endless. In the outer area of the complex, there is the stairway to the station. From here, one has a wonderful view to the framework structure of the Ferris wheel and to the engine of it. During the trip in the large capacity gondolas, one has a wonderful view to the wheel and the Prater itself, as also to the skyline of the city of Vienna.

Super 8er Bahn

From the Ferris wheel you have a perfect view of the Aqua Gaudi white water ride, a new log flume from Reverchon, as well as the Prater’s largest roller coaster, the Super 8er Bahn, an FC80 built in 1997 by Pinfari.

After climbing the lifthill, the first descent is started uniformly, followed by an uphill turn to the left, whereupon our route remains somewhat airy. From here, we go downhill and uphill again at high speed for a short time, whereupon we pass a block brake. After another right-hand bend in Bavarian style the track goes steeply downhill. At full speed you now pass under the lift hill, which makes you realize very quickly why the catwalk at the lift was partly interrupted. After a small ascent, you immediately return to the ground in a downward helix. On a straight stretch you gain some height before turning left towards the ground. One turn later, you quickly pass a Bayernkurve just before the brakes start.

Fortunately, the Super 8 track does not have any cars with shoulder restraints, as they were often used on the manufacturer’s larger installations, hence the ride characteristics are quite good. Just like the Alpina train, which is a similarly compact layout, it has the urge to move its passengers a few centimetres back and forth in the car. In this respect, I don’t even want to imagine what an ordeal a ride in the RC70 must be, which has two loops in addition to the high speed and the compact design. Nevertheless, the Super 8er Bahn is a good roller coaster with a decent track length.

Dizzy Mouse

Belonging to the same operator, the Reverchon Spinning Coaster Dizzy Mouse is located in the immediate vicinity of the two larger rides and the Ferris wheel. In addition to the proven layout, the Reverchon Spinning Coaster Dizzy Mouse has a cat-shaped tunnel. As with all rides of this type, the rotation was quite present, although unfortunately somewhat expandable.

Insider

Interestingly enough, there is another spinning coaster in the immediate vicinity, but this time a Compact Spinning Coaster by Maurer Söhne. The layout of this roller coaster is often found as a copy in Chinese amusement parks, but also in Germany a layout was on tour as a spinning mouse in 2000. The one here in the Prater, however, came from the Japanese amusement park Tokyo Dome City. If you enter the Insider, you first have to find your way to the station, which here consists of a labyrinth and a laser game.

The layout of this roller coaster corresponds to the layout of a Wild Mouse from the same company, as you can find it here in the Prater with very good ride characteristics, only that the ride has a not such steep gradient. Due to the well lubricated cars, the first hairpin bend of this coaster will make you spin like never before on any spinning coaster. Combined with the music and the suitable background illuminations by lasers, the result is in the end a really successful ride, even if the entrance fee seems to be a little too high compared to the other installations in the Wiener Prater.

Maskerade

Since two spinning coasters are not enough, visitors can not only spin side by side and back to back sitting, but also with visual contact, as it is usual on a Gerstlauer Spinning Coaster. Maskerade is the name of the half-finished ride with vertical lift inside a hall. Besides this element, it can just about offer a drop with a trivial exit from the hall and a descending and ascending helix respectively.

Masquerade is scrap metal, nothing more than a waste of steel and therefore by far the worst installation ever built by Gerstlauer. Even with a bit of design in the interior, the ride would hardly be better, maybe just a bit more presentable; so the fare charged is just outrageous. As far as one does not need a ride, I recommend to avoid the installation and instead take a ride with the Prater Tower right in front of it, as there, the ascent alone takes as long as the whole ride on Maskerade and can offer a some added value with the view over Vienna.

Der Zug des Manitu

A special ride is Der Zug des Manitu from CAM Baby Kart, a small powered coaster, which first goes backwards for half a lap before the rest of the ride continues forwards. The track itself describes actually only two ovals laid over each other, but the responsible engineer must have had a good bend in the optics, because every supposed straight line turns out to be quite curvy. Due to the ride operator, the trip proved to be specially fun and hardly wanted to end. Thus, the best price-performance ratio at the Wiener Prater is definitely to be found here.

Volare

Often, the Wiener Prater is the first port of call for new concepts, mostly for flat rides, such as the prototypes of all Flying Coasters of the Italian manufacturer Zamperla called Volare. This type of roller coaster doesn’t have the best reputation among roller coaster lovers, but the ride still seems too tempting not to test.

The entrance is similar to a HUSS Fly Away, so you climb a ladder as far as you can, then lie on your belly, grab the handles in front of you and look straight ahead. When all passengers are in this position, the car moves forward and is closed by a mechanism, so you ride the roller coaster like the toppings on a sandwich. After a short straight line you turn into the spiral lift, where the car is picked up surprisingly gently. Very quickly the ride goes uphill, at the top you can enjoy the view and then there is a small downhill slope. With full momentum it goes now into a strongly banked hairpin bend where the passengers are shaken back and forth. A heart-line roll follows, where, due to the great game in the car, you take off strangely and land gently again. A hardly describable feeling, which is repeated one floor below in the other direction of travel. After another block you pass some gentle turns before you hit the brakes. Back at the station the car is opened from below and you can leave the car backwards.

Volare is a roller coaster that I really liked, except for the first hairpin bend. The smoothness of the cars was surprisingly pronounced for a Zamperla roller coaster; the ride feeling was ok, and because of the rolls, as well as the smoother turns in the course of the ride, it was somehow funny. If you think of Volare as a wild mouse among the Flying Coasters, the ride definitely has its reason for being and is by no means as bad as it is often said.

Tornado

Right next door is the Funtime Tornado, a thoroughly interesting ride, which attracts attention from far away due to its imposing structure. Suspended from the lightning are steel cables at the end of which a gondola has been attached. The strongly eccentrically designed lightning is now set in motion, the gondola starts to follow this movement due to its inertia and swings up some meters in altitude.  Even if this swinging movement is already quite interesting, there is still a motor at the gondola that makes it roll over as desired. Thereby, a rather funny way of riding is created, similar to the ride Rocket from the same company, only that in this case, the rollovers are not initiated laterally. It is really a pity that the Tornado was sometimes barely sold, as the ride is first class. The fare is, despite the low capacity, comparatively cheap and the total length of the ride consisted of two complete cycles.

Black Mamba

Another piece of jewellery from the Funtime company is the Chaos Pendulum Black Mamba, where simple shapes were obviously avoided as far as possible during construction. The curved arms are as striking as the construction of the boom. While the trajectory of the tornado still describes a simple 8, the driving sequence of the Black Mamba is less easy to describe. By turning the two arms, the driving sequence varies constantly between very intensive and quieter passages, so that a monotonous ride never occurs, as it often does on propellers from other manufacturers. Because of the fare, which is rather cheap, a ride is an absolute must; after all, there are not very many rides of this type and this motion sequence.

Extasy

The Extasy, an Energy Storm ride from the Italian manufacturer Soriani and Moser, is a little more monotonous. The ride is similar to a Tivoli Orbiter, except that the gondolas are not lifted up to the vertical, but even beyond it, which makes an overhead ride possible. In addition, the shoulder restraints make it a little bit variable, so that changes of direction and longer hanging phases can be realised. Everything is used properly, so that an exciting and varied ride is offered. Because of the noticeable lateral forces, which you actually only feel on the ground level, you can get a little nauseous. In addition to the rapid driving style, the ride is accompanied by suitable music and various light effects, so that here, there is always an outstanding atmosphere.

Boomerang

Friends of upside down rides without shoulder restraints will find what they are looking for at the Boomerang from Vekoma. In 2007 the old train, which now runs on the Speed Snake at Fort Fun Abenteuerland, was replaced by a much more open version of the SAT, resulting in a much freer riding experience. The comfort is also reflected in the entry and exit, which is still simple in contrast to the almost identical trains of the test track. The ride itself is extremely smooth and exciting due to the unusual freedom inside the Cobra Roll. A tunnel during the exit of the element or its re-entry completes the ride.

Megablitz

The Megablitz is another Vekoma installation in the Wiener Prater, one of the rare MK-700 installations, similar to Evolution from Bobbejaanland in Belgium and Halvar from Plopsa Coo. With its two-seater cars and the curvy layout the layout resembles a Jet Star from Schwarzkopf.

After a left-hand bend, the track immediately goes up the lifthill. At the top, you make a quick right turn at a lofty height before leaning slightly to the side, which leads to an almost straight and surprisingly steep descent. One now crosses the valley in a very powerful way, whereupon one quickly rises again towards the sky. Instead of taking a breather, you immediately get back into the bend and follow a steep downward helix until you reach ground level again. A change of direction now leads you upwards in a wide left turn and you pass a block brake. With a proper momentum the train now races in a steep curve towards the ground and follows the helix already completed in the opposite direction of travel to a higher level. On a slightly downhill straight, you pick up speed again just before you drive towards the final brake in a wide downward helix, which tapers further and further and changes into an upward helix after reaching the ground level. If you feel like doing another lap, you can simply sit down for a reduced price, the rest of the group gets out.

The Megablitz is definitely and without any objections the best roller coaster of the Wiener Prater. What Vekoma has designed here is an absolute fun machine without equal and one of the best coasters of the manufacturer. Although the ride’s footprint is not necessarily huge, the ride seems to be almost endless, which is further supported by the heavily used clearance gauge. The built up speed allows great forces with a good pressure within the curves and valleys of the layout. Accordingly, a ride is an absolute must here as well.

Miscellaneous

Although we were in Vienna for two days, we unfortunately did not manage to visit the Wiener Prater during daytime, whereby the Hochschaubahn, which we simply did not find in the first evening due to its hidden location a little aside from the actual hustle and bustle at the back of the roller coaster Maskerade, had closed. Also the children’s roller coaster The Race was closed, like most of the children’s rides already closed, as well as the Autobergbahn, which is not a roller coaster at best.

Pictures Wiener Prater

Conclusion Wiener Prater

The Wiener Prater is a really great park that partly resembles the amusement park Pleasure Beach Blackpool due to its narrow arrangement. The mix of old and new businesses and its design is as much charming as the English seaside park. Unfortunately, a visit to the Prater quickly costs a lot of money, although the fare of most of the rides is generally cheaper than on a German funfair, as there are much too many interesting attractions, among which there are still a lot of interesting walkthroughs, dark rides, ghost trains, bumper cars (pardon Autodrome) and go-kart tracks. It’s just an incredibly great mix, which you should let affect you more often.

 

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Wiener Prater