Walibi Belgium

Bavaria’s strongest piece of leisure

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Preface

On my way to Munich, I have already passed Bavaria’s strongest piece of leisure twice; the first time ignorant of the existence of the amusement park as a child, the second time out of respect for my passenger, who had promised to visit the park to another person for years, and a rather strict daily schedule. Since I accompanied my father on a bicycle tour along the Tauber river to the Main river, starting in Rothenburg ob der Tauber, the 30km long detour off the A7 motorway to the Freizeit-Land Geiselwind was finally tackled.

Freizeit-Land Geiselwind

The amusement park, which opened in 1969, has its origins as a bird and pony fairy tale park, a mixture that was already extraordinary back then. Although remains of the fairy tale park have been preserved, the animal enclosures dominate the amusement park, which has also featured an increasing number of rides since the 1980s. Since then, these rides have generated the greatest interest. At the same time the zoo is quite respectable and, similar to Weltvogelpark in Walsrode in Lower Saxony, it can boast a great variety of species in sufficiently large aviaries and enclosures.

T-Rex World

In terms of design, however, the Freizeit-Land Geiselwind is dominated by extinct creatures. In addition to a railway in dinosaur look and numerous figures, the dinosaurs are particularly popular in T-Rex World. This is a small exhibition worth seeing with animatronics, which were skillfully staged. Interestingly, the exhibition here convinced me more than the guided exhibition of newer Era T-Rex in the Portuguese amusement park Zoomarine, despite the much smaller size.

T-Rex Tower

In front of the hall is the T-Rex Tower, a Shot ‘n’ Drop by the manufacturer HUSS, a vertical ride that has become extinct at least at German fairs. While Robrahn’s Countdown travels through France under Fleur and Goetzke’s Freefall was sold to the Australian amusement and water park Adventure World near Perth, Roies Shot ‘n’ Drop is the only ride remaining in Germany. Like the towers mentioned above, the T-Rex Tower delivers a solid ride with a very nice shot up and drop down. Despite the lack of negative acceleration compared to the manufacturer S&S Sansei, the ride is always a little more fun due to the beautiful launch, although the end of the ride is reached after just one cycle.

The HUSS Corner

Next to two water basins with Nautic Jets and water roundabouts, which always had the longest waiting time, there is a corner exclusively consisting of rides from HUSS, as could be experienced before, in a similar constellation, in the Lower Saxony amusement parks Heide Park and Serengeti Park. Besides a stylish condor called Ikarus and a Ranger called Shuttle, you can ride an Enterprise, as well as a Break Dance. All rides offer a long ride with more or less balanced programs. I found the acceleration phases of the Ranger interesting and at the same time a bit disturbing, because it always decelerated in the valley, which was never the case with the identical Fliegender Hai ride in Hansa Park.

Wildwasserbahn

If you follow the paths further on you will come across the big log flume Wildwasserbahn with its three shots. This is a slightly modified version of the standard model of the French manufacturer Reverchon, which has been supplemented by a further downhill run. Although the ride reminds of a funfair of the past due to its large back wall, the general design of the ride, especially the nicely designed waiting area, is successful.

After the boat has left the station, one rumbles a little through the channel along the maintenance hall of the Freizeit-Land Geiselwind before taking the first lift. At the top you make a small curve behind the back wall on rollers until a friction wheel pushes the boat into the first shot. This is designed as a double gradient and releases you a little wet into the further course. One S-curve later it goes up again and a small right curve follows. Now the smallest descent of the ride follows and as fast as this one came, as fast the end of the run-out distance is already reached and you rapidly make another right turn. After a slightly longer straight, the boat accumulates for the last time in altitude. Arriving at the top, the game repeats itself and a high shot follows without any interruptions. Arrived at the bottom you get properly moistened just before you continue the rest of the way towards the station. By ingenious technology, which I actually noticed for the first time at the ride, the boats are stopped briefly before they are gently put on the conveyor belt of the station without crashing against the other boats.

Top of the World

Similarly interesting from a technical point of view, but on a much larger scale, is the Top of the World observation tower, which can be briefly described as a monster with a capacity of 132 people. The formerly largest transportable ride in the world measures a total height of 95 m, with a ride height of 72 m. The ride was built in the mid-90s by Nauta Bussink for the Bremen showman Finnendahl, who operated the 270-tonne structure until 1998. Compared to the modern free-fall towers of the manufacturer Funtime, the ride is very massive, which is already noticeable by the four outriggers. The tower itself is relatively wide, which certainly did not make transport easy. The technology of the nacelle, however, is very simple and is driven by two steel cables that are rolled up and down and thus lift and lower the counterweight and thereby influence the position of the nacelle. After the gondola has been lifted a little, a power rail ensures the supply of the motors for the rotation of the gondola. The ride itself, however, is relatively slow in both movements and thus offers a good view of the amusement park. Thereby, also the air-conditioned gondola is a very special, as most of the seats are designed as standing places and are arranged in two rows. Moreover, the view from the windows is surprisingly clear, as there are no traces of scratches and other wear and tear.

Drehgondelbahn

Quite inconspicuous and easily overlooked even from above is the Drehgondelbahn, a truly unique roller coaster at Freizeit-Land Geiselwind. This is the only spinning coaster of the company Zierer, which has been making its rounds in the park since 1994. This fact alone is more exciting than the actual layout of the ride, as there is only a simple oval with a descending helix in the middle. As simple as the track seems to be, as good it makes the gondolas turn, so that a thoroughly amusing ride emerges. For three rounds, one makes the way through the course before the gondolas are automatically aligned in the station.

It’s strange to find only one roller coaster of this kind from Zierer, because the potential to be a box office hit today is shown by the compact spinning coasters from SBF Visa with their even simpler layout. Especially for smaller amusement parks a ride like the Drehgondelbahn would be more than ideal, so a new edition of this classic ride would certainly not be the worst idea.

Boomerang

In an alignment with the Top of the World observation tower and the Drehgondelbahn, there is the biggest roller coaster of Geiselwind, a Vekoma Boomerang. Although it looks relatively normal from the outside it is an elaborately designed ride in Australian style, including the eponymous throwing weapon. Access to this ride is around the engine room, whereupon you are directly inside the station. Compared to similar rides, this one hardly vibrates when the train passes through, which is why, interestingly enough, televisions adorn the station.

After the driver has gripped the train, it is slowly pulled up the first ramp. At the top of the ramp it automatically disengages, whereupon the train descends and crosses the station at top speed. The train then shoots up the first manoeuvre and stands upside down for the first time, before it goes overhead again in the second half of the Cobra Roll. A classic looping, which is powerfully passed through forwards, is added. In its exit, the first brakes are applied and thus reduce the speed just before the train engages a lift chain. This in return brings the train back to its maximum height before a mechanism lowers it and thus releases the train. Now it goes backwards down the second ramp and at top speed into the loop, which has now noticeably gained pressure. The Cobra Roll, on the other hand, will pass through a little slower before the train enters the station once more and the brakes engage. The riding characteristics are, similar to the ones from the Belgian amusement parks Bellewaerde and Walibi Belgium, extremely good and invite to several rides.

Cobra

On the site of the former roller coaster Marienkäferbahn, which left Freizeit-Land Geiselwind for reasons of cost and age, this year’ s roller coaster Cobra by showman Agtsch is located. In the years before, the place was already occupied by two Wild Mice, the indoor roller coaster Black Hole and a ghost train, which is understandable on the one hand, but on the other hand is not really needed due to the already large offer of rides. Because of the barriers along the ride this place doesn’t look very nice, a non-temporary attraction would surely be an advantage here in the future.

Blauer Enzian

Right next door is a Blauer Enzian roller coaster of the same name from Mack. Like many rides at Freizeit-Land Geiselwind, this is a former travelling ride, which can be seen by the two water basins that make the sole of the ride heavy. Since the bridge above the station was not built, the exit happens on the same side as the entrance. Therefore, one side of the train was closed off.

The ride begins with a wide left turn, followed by a leisurely climb. Once at the top, the train makes a downward helix to the left before climbing up a steeper straight. Now the train makes a wide downward right-hand bend, crosses under the track just passed and surrounds the first downward helix in another left-hand bend. With much more momentum, the car now crosses the station and then lap by lap the course. Except for the abrupt second change of direction, it’s a nice ride.

Fränkische Weinfahrt

In addition to a 4D cinema, which is currently showing a film in the style of Jurassic Park, the Freizeit-Land Geiselwind also offers a number of flat trips, all of which have been well designed. However, only the Fränkische Weinfahrt (Franconian Wine Ride), a teacup ride, shows the regional reference of the park. Everything else is bavarian, which also keeps the gastronomy prices in a good range.

Pictures Freizeit-Land Geiselwind

Conclusion Freizeit-Land Geiselwind

The Freizeit-Land Geiselwind is a rather neat amusement park. The rides are all in a very good condition and generally appear to be very well maintained, as are the gardens. Despite the parcel-like division of the rides, the routing does not remind of the computer game Roller Coaster Tycoon, a state of affairs that can be experienced for example in the rear part of the Erse Park in Uetze, so that a harmonious overall impression is created. Although the origin of many of the rides cannot be denied, the impression of a permanent funfair is by no means created by the nice integration of the rides. At least, the Freizeit-Land Geiselwind easily manages to entertain its visitors for a few hours and offers a good price-performance ratio, which is why I would like to call the park Bavaria’s strongest piece of leisure, which makes the park’s slogan more accurate (but the competition in this federal state is very manageable).

 

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Freizeit-Land Geiselwind

Rémy’s totally crazy adventure in Paris

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Walt Disney Studios Park

I make no secret of the fact that I always liked the Walt Disney Studios Park more than the amusement park next door. After all, the park appeals to a much more adult audience, and moreover it offers a wonderful leitmotif with the theme of movies. Now it is unfortunate that movie parks all over Europe usually do not act as such and at best only attract attention with cartoon characters, but here in Paris this would be much more difficult. Of course there are some exceptions, but most of them are not theme parks or are located in Italy. Nevertheless the Walt Disney Studios Park manages to create a homage to the film and thus manages to entertain you wonderfully.

Although my last visit was almost five years ago and not much had changed in that time, it seemed to me that the park had doubled in size. On the one hand, this is due to the well-known extensions, like the Toy Story themed area, which was still under construction at that time, and the small themed area around the Pixar film Ratatouille, but also because nothing was closed this time.

Due to Rémy and his family, the Walt Disney Studios Park is admittedly much more frequented, so that not much remains of the once countless rides on the Rock n Roller Coaster, as well as visits to the Hollywood Tower Hotel. Provided you don’t want to miss any of the other sights in this park. The word sight fits much better than just the word attraction, after all it is not only the rides, as in most other amusement parks in Europe, but especially the shows that you should not miss, at least as a first-time visitor. And it can’t hurt as an already knowledgeable park visitor to watch one or the other show again to refresh his own image.

Moteurs… Action! Stunt Show Spectacular

While I was less satisfied with the stunt show with the much too long name Moteurs… Action! Stunt Show Spectacular at the last visit, it could entertain me much better now. Although the in-between scene with Lightning McQueen and the bad guy with the “very” secret weapon as an odd gap-filler is not much more exciting than Herbie.  On the other hand, the other stunts were more than enjoyable, especially since they were not underlaid with the usual embarrassing story like in most other parks.

Studios Tram Tour

The Studios Tram Tour next door may not be a real show, but what happens during the first stopover is really worth seeing and interesting at the same time. Already at the entrance to the Disaster Canyon one notices the huge pumps that transport the required amount of water. What follows now is first and foremost very impressive, at least from a technical point of view, because the cars are shaken a little to and fro over movable floor plates, a hell of a lot of fire breaks out, which is then extinguished with significantly more water. This is certainly not a cheap pleasure, but unfortunately it is the only highlight of the tour, because after that we go all the way back past the props of rather unknown films. On the way to the other turning point you drive along the set of Reign of Fire and are entertained again with a little fire. If the film had been successful, the scene would certainly have been much more impressive, since it is better known. This is followed by the way back to the station.

The Studio Tram Tour is clearly too short as a studio tour of the Walt Disney Studios Park. Unfortunately, the film sets and props you pass by are mostly not worth mentioning and only Catastrophe Canyon is convincing. Fortunately the actual tour seems to be much longer than the now demolished original of the Hollywood Studios in Orlando.

Viewed from a distance, the tour offers another gimmick, because the backdrop including the Hollywood lettering looks impressively large. In fact, the structure consists of several smaller individual fragments, which only create the necessary depth due to the spatial separation from each other.

Armageddon – les effets speciaux

Armageddon – les effets speciaux is just as tricky, because what would a blockbuster movie be without its special effects? In principle probably too boring for most cinema-goers, which is why here you get to know a little about the history of its creation, until you then interactively participate in the pre-show or enjoy it as others do. Another film with one of the main actors of the film later, yes this show is very long, you finally get into the main show. A few insignificant effects later, finally a lot of fire shoots out of the middle of the room and the visitors can leave the show warmed up.

Cinémagique

After the homage to the special effects, we go straight to the homage to the film par excellence, namely Cinémagique, where the enemy of every cinema-goer suddenly finds himself in the film, crossing one genre after another. The film sequences shown in the process generate a rather long list of references and will certainly look very familiar to many visitors. The interplay between theatre and cinema also enhances the show and makes the simple story all the more entertaining.

Animagique

The black light show Animagique in the studio next door could actually be just as entertainingm if the show would at least focus on the Disney classics. Instead, a very child-friendly show, starring Donald Duck, is offered, which, thanks to the catchy melodies, the constant clapping of the audience and the necessary dark lighting, is more likely to put you to sleep than entertain you. A characteristic I have so far only ascribed to Europa Park, but there the shows are usually rather bad than good, Animagique admittedly has at least a few interesting scenes and an interesting concept. By the way, even more annoying than the song of the same name at the end of the show is the sound effects just before the show, which is why you should enter the building just before the show.

The Art of Disney Animation

At The Art of Disney Animation you get to know a little bit about the steps of creating an animated film. After a small preshow, in which a successful cut together of the different Disney and Pixar films is shown, you get into the main show where Mushu, the dragon from the Mulan films, takes the leading role. Through headphones you can now listen to the show in your own language, which results in Otto as the dubbing voice in the German version, or the best Frikandel joke ever in Dutch. Although this show always has the insipid aftertaste of a promotional event, at least the trailer of the current film of the Disney Animation Studios is always shown, I like the show very much.

Stitch live!

Stitch live! is similar, even though this type of interactive show outside the Dungeons by Merlin Entertainment is far too rare in Europe. Even though the show is designed for children, it provides the right amount of flat humour, especially for older viewers. The joy you feel when a person of the innocent group you have brought along is the victim of the show, before they take you instead, is just as satisfying as the proper portion of shame when only the staff makes a fool of themselves. It’s just a pity that Movie Magic hasn’t been available at Movie Park Germany for several years now.

Rock ‘n’ Roller Coaster avec Aerosmith

Friends of good music and good roller coasters will find what they are looking for in the Rock ‘n’ Roller Coaster avec Aerosmith as the laser and music supported ride through the tangle of tracks within the sound stages of halls 8 and 9 is more than successful. After visiting the Tour de Force Records, you will be welcomed by the US rock band Aerosmith, after which you will wait a few minutes parallel to the launch track until you can finally get into the limousine.

Depending on the train, the experience on this roller coaster is always different. For each train, not only the lighting effects change throughout the ride, but also the associated soundtrack. Provided there is no emergency stop because someone thinks it’s great to record a shaky video of the ride with a selfiestick. Then you have a wonderful sound for the first seconds before you stand on the same spot for minutes and finally the ride takes place without sound and synchronised light show. I also didn’t find it funny when my life went in slow motion for a short moment, as a camera flew only a few centimetres past my head during the roll overs on in on the Vampire roller coaster in Walibi Belgium. Sure, it was a headchopper par excellence, but one you can do without, as well as the shaky onrides of various self-horny social media victims.

The Rock ‘n’ Roller Coaster is and will remain an all-round successful roller coaster, which I still have trouble to let go of my list of favourites. However, the ride is very much dependent on its music, because despite the more comfortable trains, the indoor ride loses its fun as soon as it doesn’t sound, while the outdoor ride Xpress from the Dutch amusement park Walibi Holland always shows itself as a solid roller coaster and in the meantime, combined with the additional title Platform 13, additional effects can be seen as soon as you enter the queue.

Tower of Terror

The Hollywood Tower Hotel is undoubtedly the most famous Disney hotel, at least among amusement park enthusiasts and those who want to become one. Although the story of the Tower of Terror is told every time as an episode of the Twilight Zone in the hotel’s own library, many connoisseurs of the hotel are unaware that “Disney’s Tower of Terror” is also an entertaining film about the events of the evening in question.

After leaving the library, you will find yourself in the engine room, where the three service lifts are located, as the actual guest lift has understandably been out of service since that night. Once in the lift, the events of that time seem to be repeated. From the starting position the guest carrier moves backwards and is coupled with the lift technology. Once set in motion, the lift rises a few metres and stops in front of a mirror that makes you disappear. One floor down, you meet the passengers of the lift accident of yesteryear, they disappear, the corridor becomes dark and shortly afterwards you see them crash again before you crash yourself. Although you should know it, this rather small drop is always very surprising.  Much quicker than before, you now climb up to get some fresh air and enjoy the view before you hit the ground again. The same play continues a little bit more powerfully, before it goes up again to the top for the final fall.

The Tower of Terror is certainly the most elaborate vertical dark ride of our time, especially since it is not a pure freefall tower compared to the ABC Rides Towers of the Dungeons or meanwhile also other Merlin Entertainment attractions, but still offers the same forces. The ride itself is outstanding, even if the last drop always falls out of the pattern. Only the storyline with the Twilight Zone is annoying during repeat rides.

Crush’s Coaster

Comparably annoying is the waiting time on Crush’s Coaster, which is now a little slower due to the addition of a single rider line without any real benefit. Here you should ask yourself before the ride, if you’re riding alone, if you want to spend most of the waiting time in the fresh air or inside the always very warm and stuffy hall. Although the idea of a single rider line on a spinning coaster is not wrong, it shows that almost all people willing to ride are mostly two or four persons and therefore the single rider line moves forward very slowly, while you are always moving in the normal queue. Of course there is an exception, namely in the English amusement park Alton Towers in the rain, because for some strange reason the cars are loaded with only three people.

The ride is similar to a ride of the spinning racer during the evening hours, only that with this ride the rotation is already released after the lift and the track has been extended by a few meters. On this section, before the already known layout, you leave the building after a small lift for a short time in order to do a small darkride part in the interior. Although the ride is quite good it is not worth waiting more than an hour for it, especially since the Walt Disney Studios Park now offers a lot more.

Toy Story Playland

For example the Toy Story Playland with its music express Slinky Dog Zigzag Spin that offers an even more duller driving programme than the Flipper VolPaiute from the Spanish amusement park Port Aventura that is known to do its rounds in maintenance mode, the not very nice to look at Parachute Tower Toy Soldiers Parachute Drop, and the Intamin Half Pipe RC Racer.

RC Racer

Although there are not too many similarities, the RC Racer can at best be described as an oversized boat swing with a terrible capacity. Although there weren’t really many people in the queue, one waits here for half an eternity, hardly imagining what it would look like in the main season with a full waiting area. And yet the ride offers nothing exciting at all, because as soon as it has started to be a little bit of fun, it ends again. Well, this is similar to Halve Maen from the Dutch amusement park Efteling, but that ride is at least an oversized boat swing of enormous capacity.

Ratatouille L’Aventure Totalement Toquée de Remy

While the Toy Story Playland is not particularly conspicuous for its rides, the area that has been available since last year is all the more attractive because we are in Paris, the city of love and above all of rats. Even if Paris is not the cleanest city, it is mainly about the rat Rémy and his family, known from the Pixar movie Ratatouille. Although it sounds like rat and patootie, it is a more than successful animated film and with Ratatouille L’Aventure Totalement Toquée de Remy it has been given a worthy dark ride.

Due to time constraints we always used the Single Rider Line, because if we had to wait beyond the 75 minutes in the normal queue, we probably could have made only one single ride. On the other hand, the rows of seats for three people each have created ideal conditions for single riders, because even if this waiting area would be full, you would never be able to wait here for more than 20 minutes.

The ride

The station is located on the roofs of Paris and we are allowed to play rats. But before I act as a critic, in the sense of Anton Ego, there is a summary of the trip. After the cars have left their starting position, it seems as if they are driving around randomly. Shortly after that, however, they all drive along a narrower corridor. On the roof of the Gusteau’s, Rémy is pondering the current evening menu in his own restaurant and, oh, what a miracle, it will probably be ratatouille – a simple peasant dish served to critic Anton Ego just before the restaurant had to close.

Rémy crashes through the skylight and we slide along happily. A short tour through the kitchen of the restaurant follows, where the young cook Linguini, who actually should be a chef, helps us to escape unrecognised. The path now leads us through the pantry of the restaurant where Emile, Rémy’s brother, once again fills his stomach with grapes. Linguini is also able to successfully cover up the renewed route through the kitchen, before we are discovered in the restaurant’s dining room by Chef Skinner. Although Linguini helps us to escape quickly, Maître Skinner is always on our heels, but before he can grab us by the hand he prefers to reach into a mouse trap. We finally get to the kitchen of the restaurant La Ratatouille, which is the model for the restaurant Chez Rémy. After a small champagne shower we reach the other rats, whereupon we arrive at the final stop of our journey.

Conclusion Ratatouille L’Aventure Totalement Toquée de Rémy

Despite the admittedly very loose adaptation of the film, Ratatouille L’Aventure Totalement Toquée de Rémy is an extremely successful dark ride, where even after the tenth ride you would always find new details. The dynamic of the ride is as exciting as the picture, which is very sharp from all sides and which, depending on the position in front of the screens, always looks different and therefore reveals new details. Just as interesting is the point in time when you see a scene, because this way you see either a little prelude or a little postlude. It is also a significant difference if you are sitting in the first or second row of each car, because the perception of the individual scenes can differ enormously, only in the scene with the champagne cork it is an advantage if you sit in the front row, because this effect is very surprising.

So you shouldn’t miss Rémy’s totally crazy adventure, and it’s also the reason why you should definitely spend your visit to Disneyland Resort Paris in the Walt Disney Studios Park, because nowhere else in Europe you will be as well entertained on a dark ride as here.

Pictures Walt Disney Studios Park

Conclusion Walt Disney Studios Park

The Walt Disney Studios Park can convince a little bit more than the park already did because of its new perspective, mainly created by Rémy and his family. It would be nice to see if the park will be extended in the next years, so a visit to San Fransokyo in the near future would be an event I would be looking forward to years before.

 

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Walt Disney Studios Park

What a flashback on Psyké Underground

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Preface

Although I have described Walibi Belgium as a ghetto amusement park in my last report, I was always curious about new development of the park. Since my last visit in 2009 a lot has happened in Wavre. Starting with the Mise en état of the Intamin Rapid Ride Radja River and the associated reactivation of the long-forgotten water effects in 2010, the overhaul gradually moved through the rest of the park and the swimming pool Aqualibi. The whole park just got back to its former glory, a condition which only a few are likely to know. Accordingly, I’ve been wanting to revisit the park for over a year just to convince myself of the status quo, but a promising and long-awaited novelty kept me waiting until the end of this season: The roller coaster Psyké Underground.

Tour of the park

Vampire

After redeeming our Fort Fun season ticket coupons in the service centre, we went straight through the newly designed entrance area and directly followed the paths to our right in the direction of the roller coaster Vampire. Now in black and red, the coaster lost its typical Six Flags colour scheme. Although I have no negative attitude towards Vekoma Suspended Looping Coasters, the last ride on Vampire was just way too slow and the incompetent staff made the experience even worse.

Even Jan and Julian were not particularly euphoric about the upcoming ride. Interestingly, our expectations were absolutely wrong. Compared to other rides of this type, the Vampire is not only a good ride, but an absolutely smooth one too. You can’t even imagine how bluffed we were, when we finally hit the brake run. There is simply no major contact with the restraints, which is quite surprising, especially with the rather sturdy Vekoma over the shoulder restraint construction. However without all the flaws of a typical SLC, the ride is rather boring despite the very good layout. Even through the ride was smooth, the desire for further confirmation of our freshly gained experience was rather limited. Nevertheless, what ever Walibi Belgium did with the ride, it was the right decision.

Cobra and Palais du Génie

Starting with a ride on the Boomerang Cobra –which typically runs much quieter than most other roller coasters out there –, we now followed the paths clockwise around the lake towards the Palais du Génie, a mad house by the Dutch manufacturer Vekoma. As the music was barely audible and all the other sounds made it seem as if the ride was about to collapse, my last experience on this ride was not that good. This time, however, I was very satisfied. The story of the djinn transforming the house into a merry-go-round is effectively told. Considering this background story Le Palais du Génie is one of the better representatives of this very beautiful attraction, at least if you understand Dutch or French.

Loup Garou

Driven off our intentional path, which was mainly due to the search of something edible for breakfast, we now entered the queue for the wooden roller coaster Loup Garou. As many rides within Walibi Belgium this roller coaster is made by Vekoma and as long as you are no idiotic roller coaster enthusiast, who believes that everything coming from Vekoma is bad, you will love this ride! Like the sister rides in Tusenfryd and Walibi Holland, Loup Garou can be considered as one of Europe’s best wooden roller coasters.

Where in the old days the sparks flew around the curvy sections of track and the track fluctuated visibly a few centimetres back and worth during braking, the Weerwolf seems rather tame these days. The ride which still uses its original Vekoma trains turns out to be a very pleasant experience. Due to the well designed layout, the ride offers a lot of fun and a very high re-rideability. Especially on an empty day, you could easily do 50 laps in a row.

Rokken Roll

One of the more interesting things for me was a visit to the 4D cinema next door, where Walibi Belgium now runs a self-produced movie. The story is based on the excellent Walibi comics by Morvan, L’Hermenier and Wuye – which can also be bought in the parks or could be read online – and carries on the events on Shimeria a little further. If you understand French or Dutch, you’ll have a blast of a time, as the movie and its animation are absolutely fantastic!

Calamity Mine

Past the second novelty of this year, the Fanta Play House and through one of the two children’s area, we headed towards the Calamity Mine Train, a solid Vekoma mine train roller coaster. The layout of this ride was unfortunately copied over and over again, as it serves as the default layout by the manufacturer. Calamity Mine Train however was the first of its kind. With all of the effects working, the ride offers some great family fun.

La Coccinelle

Along the unfortunately closed boat ride we headed towards the roller coaster with the guaranteed longest waiting time for adults, the tivoli coaster La Coccinelle. During my visit in 2008 I was very happy to have taken my cousin to the park, after all a strict rule only allowed adults to ride with their children. Nowadays, the train can run with up to two adults per ride. This is particularly annoying when only a small queue exists, as for children who can not ride without an attendant or childless adults, this creates a fairly long queue. In the mean time, they are constantly overhauled by older children.

Octopus

As I watched Jan and Julian standing but not moving, I decided to take a ride on the Chance Wipeout Octopus (a variant of their old trabant rides, quite similar to a Hully Gully by the manufacturer Mack). Since this ride was always broken during my previous visits, I was very curious about a ride. This turned out to be quite fast in the early stages and was able to convince me with higher lateral forces than a Musik Express. With the inclination of the arm, the ride resembled more and more the well-known feeling of a Hully Gully.

Flashback and Psyké Underground

Although many adjustments were needed, Walibi Belgium was not right in every step of the reinterpretation. Where previously the color olive green outweighed the industrial looking theme area with its time travelling log flume Flashback and the magnificent shuttle loop Turbine, it is now drenched in colours. While the log flume currently adjust itself to the old state without giving up all the benefits of the overhaul, the sight of Psyké Underground is just uncommon and needs a lot of time to get used to.

The front on the covered shuttle loop Psyké Underground is the only negative aspect of the brillant renovation of this classic roller coaster. As soon as you enter the queue the positive impressions dominates. The queue now leads you to the ride’s former flywheel, which could not be removed due to construction-related reasons. By the music of the awesome soundtrack, the path unfortunately leads you outdoors, where you queue in a half enclosed waiting area. Back in 2008 you waited in this area for ages, as the ride was only operated every 5 minutes due to its ageing ride system.

In the station of Psyké Underground you are greeted by a new train built by Gerstlauer, the Münsterhausen based manufacturer and therefore true successor of Schwarzkopf. The comfort is very similar, but the trains offers additional supports which automatically bring you into the correct ride posture. Since the launch drive changed from a flywheel to a linear motor, the launch does not happen directly from a standstill.

When the ride spent its last season as the Turbine in 2008, the lights turned off the train was sent under the use of loud electronic music and strobe lights on the journey towards the looping. Nowaday a suitable and well-made video is played before the train leaves the station of Psyké Underground driven by friction wheels. In order to get the same velocity as the old system on a shorter launch distance, the ride now accelerates with a punch (which also explains the high power consumption of the ride). The adjacent looping pushes you mercilessly into the seat. Within the tubed spike you slowly lose your speed. With the gained potential energy, you now change direction. The looping is now approached backwards and turns you world once again upside down. But don’t be fooled after ¾ of the way, as the looping is not yet over. Surprised and thrilled, you enter the station once again. Slightly braked, we enter the rear peak about halfway up, before we come to a stop in the station.

Psyké Underground was a surprise beyond compare. Although the drive is now a new one, the ride lost nothing of its old glory and actually even got better. The higher number of launched per hour, the much more intense launch and the still surprisingly powerful looping ensure that this ride has found its way into my favorites once again. The overall theme of the ride is great and fits the Belgian roller coaster legend very well.

Pictures

Closing Words

Walibi Belgium has indeed changed to good in recent years. The Compagnie des Alpes has done a fantastic job in all of the Walibi parks. Every change was done with the right intension, although it has certainly cost quite a lot of money. The park developed from a former ghetto like park with an anti-social audience, to one of the best family parks in Europe. Walibi, please don’t stop :-).

 

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Walibi Belgium