Baron Hooghmoed, Prime comes before the fall!

Preface

No other amusement park made it so easy this year to visit the park as easy as Efteling. In order to promote his new roller coaster Baron 1898, the park gave me, as many other people, a free ticket out of the blue. Therefore, in the middle of October – shortly before the ticket expired – on a very rainy day, I took a trip to the Dutch village of Kaatsheuvel.

Efteling

The Efteling amusement park originated as a fairytale forest in 1952, but originally as a nature park in the 1930s, where a total of 10 fairy tales were told. Under the direction of the artist Anton Pieck, after whom the central square with a few smaller carousels in the Marerijk area is named, the fairy tale forest grew steadily and – unlike most other theme parks – never lost its importance. Beside the talking tree Sprookjesboom, which tells the children the fairy tales of Sprookjesbos in Dutch, you will find some bizarre and very interesting things, such as the Indian water lilies or the flying fakir. Especially with smaller children you can easily spend most of the time in the park in this area.

Droomvlucht

However, the most popular and most visited attraction in the Efteling since 1993 has been the Droomvlucht dark ride, which takes you past larger scenes of fairies, elves, trolls and other fairy-tale creatures in suspended gondolas. Although the dream flight, as the English name suggests, could hardly be more cheesy and superimposed, the ride through the dream scenes is definitely fun and the descent taking place in a 1080° helix is truly unusual.

Villa Volta

Next to the Ravelijn show, for which translations are available, there is the prototype of all modern Mad House attractions, the Villa Volta. The story of the Bokkenrijders, a band of robbers from the 18th century, is presented. Hugo van den Loosche Duynen is the aged landlord of the villa, who robbed a deserted, but richly stocked abbey with his gang and was cursed by a suddenly appearing woman and since then cannot find his peace anywhere. Only a person with a clear conscience can release his spell, which is why Hugo invited volunteers to his house.

A Mad House is a ride in which a gondola, with two rows opposite each other, in a rotating drum is swivelled about 30° to both sides. The rotating, highly decorated drum gives the impression of turning upside down in a room, the pivoting of the passenger carrier underlines this by the generated accelerations. The event is accompanied by suitable music and lighting, and if necessary by various other effects. The Villa Volta is not only the pioneer of this type of attraction, but also one of its best examples.

Volk van Laaf

In the village of the people of Laaf you can watch the Laaf during their daily life or take a monorail tour through the colonnades of the houses. The people of Laaf are reminiscent of Holle Bolle Gijs, who can be found throughout the park. These are talking garbage cans that say “paper here!” and encourage the little guests of the park to throw their garbage into the gullets of the never-full inhabitants of the park.

Monsieur Cannibale

Monsieur Cannibale also likes to eat one with pleasure, although it is only a teacup ride in which you sit in some bigger cooking pots instead of cups. The ride is not so interesting because of the heavy to turn gondolas, but the catchy tune of the song of the same name by Sacha Distel certainly contributes to it.

Carnaval Festival

The best you can do in the Reizenrijk is to travel, therefore a ride in the cars of the Carnaval Festival dark ride should not be missed. Accompanied by a merciless catchy tune, you accompany the jester Jokie on his always cheerful journey around the world, whereby the clichés of the corresponding countries were excellently staged. Carnaval Festival does not need to shy from the comparison with Disneyland Parks’ role model It’s a small World, as the ride offers everything a good dark ride needs to offer and in my opinion is even a bit better, as it is much less annoying.

Vogel Rok

Located next door is the dark roller coaster Vogel Rok, which immerses you in the world of the stories of 1001 Nights, at least in the stories of Sindbad the Seafarer. After the train has left the station it passes a short gradient within a right turn, whereupon the lifthill of the ride follows. Accompanied by laser effects we climb to the top of the lift and then immediately enter the main drop of the ride. With a slope of 55°, the train now races towards the ground in a left-hand bend. The height difference of 21m results in a speed of 67 km/h, which is kept constant in a very wide left turn close to the ground. Shortly thereafter the train shoots up and approaches the ground again in a slightly smaller radius. In the following valley we change direction. A curvy hill, past one of the name-giving birds, later we pass through an uphill helix, at the end of which we are eaten by a snake. Then, we pass a block brake before racing towards the ground in a left turn. The track then increases in height before the radius of the curve narrows down into a downward helix. The train now moves off the ground one last time and dives into a tunnel of lights. After that the brakes are reached and immediately after another right turn there is the station, which is usually approached with the loud music of the onboard sound system.

Vogel Rok is a great roller coaster of the type MK-900 by the Dutch manufacturer Vekoma, which delivers a short but thoroughly thrilling yet always harmonious ride. It is amazing how fast you can accumulate your laps on this coaster, if you stay a while when the park is less busy.

Gondoletta and Pagode

For those who like it a little more relaxed, the boat trip Gondoletta is the perfect choice. For 20 minutes the extra long Tow-Boat Ride of the company Intamin takes you across the entire lake and it is quite big. Since this year, in addition to the obligatory feeding of birds and the resulting siege of countless water birds, you have a really great view of the roller coaster Baron 1898. A similarly interesting view is guaranteed from the observation ride Pagode, a Flying Island also from the manufacturer Intamin, which brings you to a height of 45m without any tower structure. This happens basically by an oversized lever at whose end the passenger gondola is suspended and at whose other end the oversized counterweight is located.

Halve Maen, D’Oude Tuffer and Polka Marina

The swinging ship Halve Maen, which is currently the highest ship swing in Europe, can also be classified as a relaxing ride. Next to it you will find the vintage car ride D’oude Tuffer, which allows its cars to travel the long distance with rapid pace. Equally interesting, although only due to the outwardly inclined curves, is the Polka Marina ride by Vekoma, which always makes me smile.

Python

However, the things you are interested in in the Ruigrijk area are certainly not flat rides of the area, rather the roller coasters that reign this corner of the park. The first one was the Python steel roller coaster in 1981, which carried its passengers not only through one loop, but two consecutive loops. In fact Python was the highest steel roller coaster in Europe at that time and with its four inversions the most exciting roller coaster on the continent. Just as exciting as the coaster Carolina Cyclone of the American amusement park Carowinds, which was the first roller coaster worldwide to entertain its passengers with four turn-overs a year before. Efteling was therefore thinking big even back then!

The train leaves the station on a small gradient, followed by a left turn. Shortly after the train enters the lift chain, which brings it to 29m. A small slope and another 180° left turn follow before the train races down the main shot. Then the train passes through a powerful valley and enters the first loop, whereupon the game repeats itself in a second loop. On a straight incline the train gains some height and immediately throws itself into a curve. This leads the train to the starting position of the corkscrews, into which one enters at a remarkable angle. While the carriages screw their way through the corkscrews, the world is upside down two more times. After a small hill an upward spiral follows. Immediately afterwards the braking track is reached.

Python is a great roller coaster of an older design, which doesn’t have to hide itself due to its truly intense performance, especially in the evening. After the original Arrow trains, as well as the second train generation of the manufacturer Vekoma and trains of the manufacturer KumbaK had been used on the track, modern trains of the fourth train generation by Vekoma now enrich the the ride. Unfortunately I could not test them during the current visit, but the KumbaK trains gave a solid impression during a past visit.

Joris en de Draak

Wooden roller coasters have a long tradition in Efteling, dating back to 1991 when Pegasus, an absolutely boring and slowed down roller coaster for children, was built in the park. It was the first wooden roller coaster in the Netherlands. A year after its removal, Efteling build Joris en de Draak. This ride introduced two more wooden roller coasters of the popular manufacturer Great Coaster International (GCI) to the park. The background story is dedicated to the patron saint of the English, the dragon slaughterer Georg. The layout is divided into two tracks, Vuur and Water, both of which are duelling each other whilst showing different but somewhat balanced riding characteristics.

Both sides start parallel to each other, but a few meters apart, with a small gradient out of the station to which the lift hill is immediately added. Once at the top, both sides make an S-curve and a turn mirror-inverted to each other, so that the sides meet in the middle and thus deliver a race during the first drop. The trains then shoot through the first valley, which is immediately followed by a triple up, i.e. a triple combination of hills that always leads upwards. In the following right turn the sides lose each other.

With a double down, Water is showing its wild side right at the beginning of its independence. In a bumpy curve you fight your way to the right side of the course to cross more hills along the lake. In the same manner the train now makes a turn to the left.

Meanwhile Vuur also passes under its opponent in a double-down. In a flattened right bend you cross the truss of the lift hill whereupon a drop takes place immediately above the sidewalk. With a short look at the Vliegende Hollander a left turn is initiated. Over several hills one makes one’s way over the lake, whereby these are not so frequently present as on Water. A smooth right curve, which serves as a turn, follows. Thereupon both sides run next to each other again.

After a short straigth section, a smaller slope follows, to which a rather wild combination of right-left curves is attached, whereby both sides can show track sections inclined to the wrong direction. Soon the finish is reached and the winner of the race will be announced at the brake track. Afterwards you pass through the maintenance house and two left turns to the respective station, where you enter under fanfare or loud booing.

Joris en de Draak offers two good wooden roller coasters, but the rides are quite different and therefore not quite the same. Water offers the apparently wilder ride, because it is going over smaller hills and also the curves seem a little more daring, while Vuur is more careful with its gradients and therefore a little more efficient to tear his passengers back and forth. I can hardly explain why I preferred Water during my last visit in Efteling, as it was Vuur who convinced me more this time.

Vliegende Hollander

On the other side of the lake there is the Vliegende Hollander, a water roller coaster with a moving history. By this I don’t mean the problematic manufacturing process of the installation, where even another company was called in to solve the initial problems, but the story of Willem van der Decken, the captain of the Dutchman, a ship of the United East India Company. Due to his greed, the captain is more and more subject to piracy and even storms and holidays, when it was forbidden to set sail, didn’t stop him. “I will sail, storm or not, Easter or not. I will sail, even until Judgement Day,” said Willem, drawing a curse on him. Damned for eternity to sail the seven seas of the world, the Flying Dutchman races across the sea as a ghost ship with his black hull and burning sails.

The journey begins in a 17th century seaport. After leaving the station you can see in the first scene how your own boat sets sail. Fog is coming up and is getting denser, only a lamp at the bow gives some light. A storm comes up and with it the Flying Dutchman shows itself to the passengers. Through the hull one enters the interior of the ghost ship. A surprising drop follows and thereupon a rise, in which one is held immediately by a brake. Here Willem van der Decken shows his true face, whereupon the lift chain grabs and brings the boat to a height of about 22m. Immediately a steep turn follows out of the building towards the ground and through a fog-flooded building. A camelback is attached and shortly afterwards a horseshoe, i.e. an elevated turn, which you pass through with a considerable cross slope.  A short ascent leads to a block brake. This is followed by a small drop and a long bend, which then turns into a shot into the water basin. After the watering, the boat is transported back to the station by circulating chains.

The Vliegende Hollander offers an almost perfect mix of a dark ride and a water roller coaster, which was skillfully staged. The part in front of the lift hill is so atmospheric that you could almost skip the ending. But this one also does a good job, even if the finish could be wetter.

Baron 1898

On a highly atmospheric path, which also provides some nice insights into the roller coaster part of the water coaster, you can walk to this year’s novelty, the Dive Coaster Baron 1898. Even from far away, the appearance is convincing by its industrial charm and the framework structure, which carries the lift, as well as the first drop. The Rijksmijn winding tower transports the miners down into the shaft, where they are to mine as much gold as possible on behalf of Baron Hooghmoed. But the Witte Wieven, white women in Dutch folklore, who watch over the gold, want to prevent this. Gustave Hooghmoed doesn’t listen to the warning, so he urges the miners to climb into the mine. With a fearless “Glück Auf!” he says goodbye to his workers.

After boarding the train and lowering of the floor, the train starts moving towards the next room. In a musical way the Witte Wieven reappears. This time, it is not just a simple warning and they announce the sabotage of the descent, as pride comes before the fall. At a fast pace we climb the steep lift, which brings us to the starting height of 30m. Arrived at the top, a small section continues straight ahead whereupon we are pushed over the edge. Now we are held in this position for a few seconds until a bell rings and releases the train. From here we descend the vertical drop into a fog-flooded tunnel. The 37.5m difference in altitude produce a speed of about 90 km/h. At top speed we now enter the first inversion, an Immelmann with a relatively late rotation around its own axis. With a lot of power we pass through the following valley before we turn upside down in a Zero-G Roll. A short straight section later the train increases in height in a helix and immediately decreases in a small drop, whereby the transition takes place a little rough. After another hill we take a right turn, which releases us into the braking track. This is followed by the return to the station.

The exit from the station is via a gallery, which leads into a narrow corridor and, after a long staircase, releases the miner from the building. Funnily enough, an employee handed a CD with the Baron 1898 remix by DJ Hardwell as a personal souvenir. On the way back home the CD was heard almost continuously, although the connection to the Baron 1898 was not really clear. It’s just a nice song, which serves ideally as background music and an even nicer little gift from the amusement park.

The Baron 1898 is without exaggeration the best designed dive coaster in the world. Although it is only a compact version of this type of roller coaster, the ride in combination with the lush design and the worth seeing implementation of the storyline is a truly first-class roller coaster. The used baggage system, in connection with the tickets for the two shafts and the corresponding rows, works very well, so that from my point of view there is hardly any potential for improvement.

Piraña

One of the first major attractions of the amusement park is the Rapid River Piraña, opened in 1983, which was also the first of its kind in Europe. The ride in the round-boats along the concrete canal, which has some rapids and other elements, is good and can easily get you wet. There is also a possibility to get the passangers wet from the outside of the ride that can be used free of charge, but which can soak you with a bit of bad luck.

Spookslot

The Spookslot is one of the most famous and oldest attractions of the Efteling amusement park, although you should not expect a classic ghost train when you enter the haunted castle, although the outward appearance and the design of the queue make you expect a dark ride. Instead, you will find yourself in a larger room with several standing rows and watch a show worth seeing with countless mechanical figures.

Panda Droom

The ancient 3D film Panda Vision at the 4D cinema Panda Droom in the immediate vicinity is not quite as worth seeing. Anyhow, the special effects are rather special and should not be missed. In contrast to the many other venues in which this film was shown, the film was created especially for the Efteling in cooperation with the WWF, which is why animal welfare is far more important here through a preshow and further information options in the exit area.

Bob

In 1984 a truly new roller coaster concept from Intamin opened in the USA and, as so often the case, found its way to the Efteling a year later. The idea of a roller coaster with gondolas running free in a canal instead of on rails is not new since the flying turns of the 30’s, but the gondolas of the Swiss Bobsleigh pass through steep ascents and descents.

The ride in the Bobbaan, better known as Bob, begins on a straight out of the station. After a left turn you reach the lifthill, which brings you to a height of 20m. A steep left turn takes you downhill. The following valley is driven through with an absurd force, with the first change of direction taking place immediately. A swinging S-curve combination leads you up into the first block brake. Once again we descend in a steep left turn and get stoked by the high forces in the next valley. After a right turn, a left turn leads into the next block brake and also here the change of direction takes place in a powerful way. Also this block brake is left in the usual way. As we already have experienced before, the next valley is passed with a lot of momentum before a simple right helix leads us upwards. The car now crosses the last block brake and crashes towards the ground one last time, however this time in a right turn. A last change of direction, but not so brute, follows. After this turn the brakes follow and shortly after we reach the station.

Bob is a unique roller coaster, at least in Europe, although the American models now also have an exotic status. In comparison to the bobsleigh runs of the manufacturer Mack, which are better known in this country, the Swiss Bob can distinguish itself above all through its smooth running and the more adventurous course with its brilliant dynamics. The ride is simply fun and produces a permanent grin in my face which is why I always like getting on Bob again and again.

Fata Morgana

In a similar way I am very satisfied with the dark ride Fata Morgana, which convinces or better said overwhelms me with its oriental design. Although the ride was put into operation in 1986, it seems very modern and timeless with its human-like mechanical figures. The individual scenes are well equipped and very detailed, whereby the journey does not become boring even after several times. In addition, there is a continuous storyline with single moments of tension.

Aquanura

Every evening Aquanura, one of the biggest water shows in the world, takes place directly at the lake. It picks up the songs and rides that were experienced during the day and processes them with water, light and fire effects. During the day this is quite impressive, but at night it is definitely better.

Pictures Efteling

Conclusion Efteling

Efteling has always been a great amusement park, but it’s funny how often I forget about it, otherwise I would have visited the park more often. The park has so much to offer and with Baron 1898 and Aquanura even more, which is why I would like to call Efteling the best amusement park in Europe and not just because the park gave me the admission and a CD out of the blue. Despite the terrible weather, the park managed to entertain us very well, although our ride in the first row of Baron 1898 was by no means pleasant. With this year’s novelty everything has been done right, so I am looking forward to future projects from the park.

 

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Plenty of new things in the East

Preface

The Freizeitpark Plohn, which originated from a trout farm with an attached restaurant in Plohn near Lengenfeld, had been on my must-do list for several years and was repeatedly considered in various excursion ideas before they were discarded. The decisive factor for this was the extremely positive reporting since the opening of the wooden roller coaster El Toro in 2009 and although Freizeitpark Plohn is hardly further away for me than Phantasialand in Brühl, I have never made it to the amusement park before.

After testing the local Allwetterbobbahn in nearby Eibenstock, I reached the parking lot at about 11 am and left it already half an hour later. I used this time in the queue in front of the only open cash desk before I was told that my bank card with PIN entry cannot be accepted here, but only one with signature. This is not my fault, it’ s the cash system of the park and therefore the park itself, I was told without even being told a reasonable alternative. In fact the not very friendly cashier basically meant that it was only me.

Extremely annoyed I drove to Lengenfeld to get some money at the local Sparkasse and then back to Plohn – after all there is a quite promising wooden roller coaster in the park and the way back would be 500 km long – where I had to stand in the queue again for another 30 minutes. Backed up by a deeply stupid comment I finally got into the Freizeitpark Plohn.

Freizeitpark Plohn

Fluch des Teutates

Thank God they are already working on a better entrance area at the Gaul village, hopefully with a better cash register system. In this area, next to the Drachenschaukel, a windshield wiper-like ride, which was not in operation, is the River Splash ride Fluch des Teutates by the manufacturer ABC Rides.

The trip in the round boats starts immediately with a slightly longer lift. At the top, you leave the lift in a right-hand bend and after a small straight section, a larger turn follows. Afterwards, relatively unusual for this type of ride, a small slope in lofty height under the lift hill follows. After another turn, but this time to the left, another slope follows immediately. Now, a downward helix on the right side of the slope takes up a lot of momentum. You leave this helix in a left-hand curve or rather in a left bend, which runs parallel to the lift for a short time, whereupon the final shot is initiated. This is followed by the return to the station.

The Fluch des Teutates is a nice ride, which can be put into a more than decent rotation with some weight shifting in the boat. But even without it, this was probably unintentionally possible for everyone without any problems at the beginning of the year due to a somewhat too rough paint on the deck. This was then sanded down and the ride was repainted with the correct paint, which is why the ride was out of order for a longer period of time this year.

Passing an animal enclosure, the trail now leads to the Plohnidorf, where a former carousel from the North German amusement park Heide Park, a dark ride and a roller coaster are located. The houses are decorated with jokes about the park’s own mascot and in numerous shop windows the pranks of Max and Moritz by the poet and illustrator Wilhelm Busch are told.

Plohseidon

The family roller coaster Plohseidon is a Force 190 of the manufacturer Zierer, which was built over a water basin and has an imaginative underwater design. Here the design was perfectly adapted to the slightly stretched layout.

The journey begins with a shallowly ascending straight, which soon leads into a left turn. A small swivel to the right and a small straight line later the friction wheels of the lift hill take you up. You leave the lift hill in a shallow steep curve to the left whereupon the maximum height difference of about 7.5m is reached. In an upward helix, you pick up again in altitude and immediately change direction. In a bavarian curve you now go downhill, followed by the return to the station.

The family roller coaster Plohseidon is a nice roller coaster with a surprisingly fast layout, but with quite modest ride characteristics. Well, the kids probably won’t even notice it, but the ride feels like a relatively old ride of the same type.

Plohnis Tauchfahrt

In the immediate vicinity is the small dark ride Plohnis Tauchfahrt. Similar to the former dark ride Ocean of Darkness of the Dutch amusement park Attractiepark Slagharen, you will pass through a colourful underwater world. The plastic design is supported by some well integrated screens, in which the park mascot appears among others.

El Toro

Through a passageway you reach the Westernstadt, the western area of Freizeitpark Plohn and immediately stand in front of the wooden roller coaster El Toro of the American manufacturer Great Coaster International. Along the rear turn of the roller coaster you can reach the entrance of the wooden roller coaster, also coming from the other side. After a small ramp you’re immediately inside the station and have more or less free choice of seats, because there wasn’t much action here despite the ride’s only train.

After the train is finally cleared, the lift chain takes you up to a height of about 25m. With a lot of momentum you make the first descent, which is quite straight before it turns into a steep curve. In the valley you go under the lift hill of the log flume for the first time and change direction immediately. An upward leading left turn follows, but changes its direction relatively quickly. Now a wide bend leads the train to the lowest point of the layout, but even here you only stay for a short time. Over a hill, the train passes again under the lift hill of the log flume and shortly after through a curve parallel to the first drop. Now several hills follow, all of which carry you slightly out of your seat. Past the station you make a small detour and then a turn. With full speed you go down again and take a picture of the ride. The following hill initiates a right turn close to the ground with two hills attached to it. A last curve leads the train up to the brakes and back to the station.

El Toro is a really good roller coaster with an absolutely brilliant start, but a rather mild end. Although the wild bull could already convince at noon, it showed its full potential only in the late afternoon when the coaster is in its run-in condition and this invites, similar to the never full station of the visiting day, to constant repetitive rides. But when the crowd of the station did not allow a simple shifting anymore I left the ride, because the way from the exit to the entrance was not worth it anymore. El Toro is not Troy from the Dutch amusement park Toverland, but at least it is a very good wooden roller coaster and an enrichment without equal for the previously hardly known amusement park.

Westerneisenbahn and Westernrodeo

In the main street of the themed area is the station of the Westerneisenbahn, a round trip through the Wild West past the rides of the area and below the wooden roller coaster. Interestingly, the ride passes the entrances of the Westernrodeo, a break dance of the manufacturer HUSS featuring a long and varied, albeit slow ride, and the roller coaster Silver Mine and blocks it.

Silver Mine

The Silver Mine is a Flitzer roller coaster made by Zierer, which is similar to the ride High Explosive which travels in this country under Vorlop. Started under a German showman in the 70s, it emigrated quite quickly to America, where it entertained its passengers in the Adventureland amusement park in its original design until 1990. In 1996, the ride presented itself as Rioolrat in a new look and with new cars at the Dutch amusement park Avonturenpark Hellendoorn. These cars in the form of a canal rat were also used on the mouse roller coaster of the Spielerei Rheda-Weidenbrück, but here they were still used in combination with the originals. The ride lost all of its fun in 2000 when it was equipped with mine cars and presented itself to the public. It’s a difference like day and night when you ride the minimalist racers or when you constantly bump into the high walled cars during the ride, as it is the case here.

Wildwasserbahn mit Geisterbahn

On the other side of the spacious course is the entrance to the log flume Wildwasserbahn mit Geisterbahn, although the Geisterbahn (ghost train) part probably only really shows up on Halloween. After leaving the station, the canal leads the boat through a small themed passage towards the first lift hill. Once you reach the top, the first shot of the ride takes place, which can be a little bit moistening. After a turn and a right bend you leave the plateau and curve a little bit in zigzag movements through the tree tops and over the second slope until after another right bend you reach the second lift. At a lofty height you make another turn whereupon you slowly but surely approach the big descent. Without much fuss it goes down the slope at the end of which the cool water is waiting for you. This is followed by the return trip to the station of this rather neat log flume.

Holzmichl-Villa and Crazy House

At the exit of the log flume there is interestingly enough a small bumper car and above it the Geistermühle (ghost mill), which has some vibrating plates, distorting mirrors and many bad jokes.  Above the log flume there is also a special attraction. Next to Germany’s largest tree house with the slide Wilde Sau, there is the Holzmichl-Villa and the Crazy House attached to it. Contrary to my previous presentation of Freizeitpark Plohn, the number of amusement elements is unfortunately quite manageable.

Miniwah und das Geheimnis von Gold Creek City

In a former riding and show hall, whose show was probably cancelled due to horrendous GEMA fees, the roller coaster Miniwah und das Geheimnis von Gold Creek City is located since this year. A good ten years after the last Powered Coaster of the manufacturer Mack went into operation in Europe, an equally impressive ride including a regular multimedia show and a spectator stage is presented here in an impressive setting.

Miniwah and the secret of Gold Creek City is a really good powered coaster. The general design is surprising, as well as the fast riding, in this very compact layout. Even the first, slowly driven round with its sightseeing like character is enough to find the ride good.

Raupe

As convincing and harmonious as the western city is, the oldtimer park on the other side of the path with its lake stage and smaller attractions for children is just as unattractive. This is also where the last roller coaster of Freizeitpark Plohn is located, the children’s roller coaster Raupe, a Big Apple made by SBF Visa featuring the well-tried layout.

Freefall im Urzeitdorf

Adjacent to this area is the fairytale forest with some hidden carousels and nicely designed fairytale scenes. If you follow the paths you will find yourself in Dinoland, the most remote part of the Freizeitpark Plohn. Here you will find, besides the Floßfahrt durch die Urzeit, the rather nicely operated Family Freefall Tower Freefall im Urzeitdorf of the manufacturer Zierer and a pedal boat rental.

Pictures Freizeitpark Plohn

Conclusion Freizeitpark Plohn

Freizeitpark Plohn is without question a good amusement park, it just lacks a little bit of professionalism. It’s a bit strange when you have hardly any food left in the park at shortly after 2 pm, no more coffee and cake at 4 pm and instead you are about to complete and concede the checkout. Beside the generally unmotivated and unfriendly staff, the experience at the cash desk joins in and creates a somewhat unsatisfying picture of the amusement park, which is generally very much praised – I am a customer and I am willing to spend money, so please take it and don’t constantly refer me back for avoidable mistakes.

 

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A spooky evening in Toverland

Preface

After we left the Fort Fun Abenteuerland around noon we went on our way to Sevenum, but not without a visit of the Sternrodler and, due to the changed route through North Rhine-Westphalia, the Alpine Coaster at the Alpincenter Bottrop. In the meantime we were almost one hour off schedule, but luckily Toverland decided to bring forward their first Halloween weekend, which allowed us to visit the park for 5 hours and some rides on DesTroy.

Toverland

Unfortunately, this created a great unknown to me in relation to Toverland, because the park had waiting times outside the Bobkart Woudracer. Instead of the usual “We stay at Troy from 12 o’clock until the end of the park” this meant a waiting time of about 5-10 minutes between each ride on the wooden roller coaster, which fascinates me every time anew.

DesTroy

It would be wrong to say that DesTroy is the best wooden roller coaster in Europe, but it is absolutely right to say that the ride is convincing in any weather conditions. No matter if it’s almost summerly Easter temperatures, coldest winter weather or now rainy autumn weather, the ride just makes you feel good and you can stay troy. Night rides on DesTroy are also highly recommended, because even though the ride is phenomenally well lit on Halloween, outside of any measurable competition, you won’t notice a thing during the ride. It’s different at the Alton Towers amusement park where the night rides on the roller coasters feel like daylight, thanks to the flood lights.

Djengu River

Just as well lit as DesTroy is the certainly really stylish Magical Vallei theme area, whose splendour could only be guessed at in the evening hours and which can also be seen in the stations of the large-scale attractions. The Hafema rafting course Djengu River runs past two children’s rides and a lake with a fountain show. This is the newest ride of its kind so far, which unfortunately, similar to the ride in the Erlebnispark Tripsdrill, does without any highlights during the ride and sends the boats through the canal relatively fast.

Even though I find it very welcome to see Hafema alive again, it’s a pity that they didn’t use working gimmicks. On the one hand the milder route is explained by the target audience of the park. On the other hand the standard of comparable rides in the Benelux countries is much higher.

Dwervelwind

When the French amusement park Le Pal presented the first Mack Spinning Coaster of the latest generation, the mere sight of the layout made you want to go to this corner of France and test the ride there. Unfortunately, a roller coaster of the same layout opened a year later with the Dwervelwind, giving priority to Toverland due to its proximity.

Although the ride was launched last season, it now shines in all its glory after work on the surrounding themed area has been completed. It seems that all eyes are drawn in its direction, which is not only due to the sweeping curves.

After the train has left the station and climbed up the lift, a small curve in the airy height follows and the wild ride can begin. The ride continues smoothly down the valley where you are pushed into the train and then change the direction of the tracks in a high Immelmann Turn. Once again at ground level the train goes straight up again to make its turns in a wonderful sloping position. After a downhill left turn you do a short zigzag curve combination and then another curve in the shape of an 8. This turns into a few smaller detours, which at the same time mark the end of the funny, fast, not at all powerless, but unfortunately too short ride.

The ride on the Dwervelwind is a great pleasure, which can only be increased by sitting opposite each other in the cars and trying to interact with each other during the ride. The comparison with the existing Mack’s counterpart in Rust is, not surprisingly, in favour of the newer ride. However, the ride lags a little behind the outstanding spinning coasters Sonic Spinball and Dragon’s Fury from Maurer Söhne, which are especially trumped by the often represented distinct rotation of the cars. Nevertheless, the ride has one fundamental advantage, namely capacity, which means that waiting times here will probably never be too long, and one or the other repeat ride is guaranteed.

Conclusion Toverland

Toverland has developed very well over the years and often shows what a theme park has to be like nowadays. This can be seen not only in the excellent quality and choice of attractions, but also in the way they organise their events. Along with the extended opening hours for Halloween and the outstanding lighting of the wooden roller coaster Troy, themed figures, numerous artistry and bloody much fog went into the event, so that one was wonderfully entertained on the paths and in the halls. Unlike other events of the same kind, no one even tried to lure monsters by means of horror mazes, even though theoretically there is a natural maze in which you could scare yourself. Thus, the focus was on the scarezones, where much more importance was attached to the charisma of the actors than to the targeted frightening, unless you were coming straight from Djengu River towards DesTroy.

Shortly before Toverland closed its doors for the evening, all participants gathered in front of the entrance to say goodbye to the crowds of visitors. One would think that this would be the best way to end an all-round successful event. During the following traffic jam to get back down from the car park a specific entertainment of the waiting people would have been a good idea.

 

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