Tag: Flume Ride

Parque Warner (2020)

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A visit of Parque Warner during the Covid-19 pandemic

I haven’t been to Parque Warner in a long time. The park belonging to Parques Reunidos is known to have a great selection of breathtaking roller coasters and water rides soaking through to your underwear. However, 2020 is now the year of Covid-19 and the Spanish are known to have taken it a little harder, so I was very curious to see how the amusement parks are run in this country. Due to my experiences concerning the protection measures in Germany, I expected very long waiting times from the beginning and therefore bought the Pase Correcaminos Platinum in advance; a quite expensive ticket for pushing the queue with theoretically unlimited access to the attractions.

As I had made a little mistake in the bus schedule, I reached the park much later than originally planned. As the entrance was narrowed to two access points, there were already two very long queues at my arrival. On the day of my visit, there were no day tickets; unfortunately, shortly before my visit, the park offered 50% reduced tickets, thus the park was relatively full. As I could not find the office for the Pase Correcaminos right away, I also lost some time; who could have guessed that the man at the lockers would take care of it.

Equipped with my wristband it could go through the park. Basically, masks are obligatory everywhere – the correct way of wearing them is meticulously observed. The staff is perfectly trained for all Covid-19 measures and at all shows and attractions they take care of the hygiene measures, e.g. you have to disinfect your hands every time in front of the watchful eye of an employee, at the shows you are accompanied to your seat (even after the show you are only allowed to leave the theatre in groups) to guarantee the safety distance. The attractions are additionally disinfected after each use, before the next passengers are allowed to board. All this of course reduces the capacity, but the Spanish staff is surprisingly fast. The only thing I honestly should have saved was the visit of the mad house Hotel Embrujado.

Pictures Parque Warner

Closing Words

At the end of the day I could ride all the attractions at least once. Thanks to the Pase Correcaminos, the waiting time at the roller coasters was a maximum of 30 minutes, without of course much more. At the water rides and all other attractions I had a little more luck. Of course, a visit outside of Corona would have been much more fruitful, but nevertheless I am impressed by the professionalism of the park and therefore recommend a visit to Parque Warner this year.

A visit to the theme park could hardly be safer!

 

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Parque Warner

A visit to the original Movie World

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Warner Bros. Movie World

Warner Bros. Movie World is one of the best-known theme parks in Germany and one of the most influential movie parks in the world.  The park was founded in 1991 by the film studio Village Roadshow, which belongs to WarnerMedia, and is the model for our local Movie Park Germany. From 1996 to 2004, the film park was also known as Warner Bros. Movie World. The Spanish theme park Parque Warner Madrid is also based on the park on the Gold Coast and continues to use the licences of WarnerMedia.

While Parque Warner Madrid is a huge park and Movie Park Germany is also of respectable size, Warner Bros Movie World is rather small. Apart from the Main Street, which is well-known to visitors of Movie Park Germany, the park only consists of a small children’s area, the log flume Wild West Falls and a DC Heroes themed area, where almost all attractions of the amusement park are located.

Tour of the movie park

Green Lantern Coaster

This area is located directly at the entrance of the amusement park, but is not a dead end due to the clever integration of the roller coaster Arkham Asylum. Right at the beginning we come across the Green Lantern Coaster, an El Loco from S&S.

Climbing the steep and fast lift, it quickly goes into a combination of curves without any cross slope, which shortly afterwards leads into a steep 120.5° drop. The associated world record was short-lived, as Takabisha opened in Fuji-Q Highland just a few months later. With a small sideways turn, it immediately goes up to the first block brake.

This is followed by a curve that could be used more often in various roller coasters, as the outwardly inclined section of the track is quite impressive. Unfortunately, this part is completed soon after and a seemingly conventional curve follows, which, however, becomes more and more inclined towards the end and quickly puts you in an overhead position. The hangtime is very pronounced and you are quite happy to fall towards the ground in a half loop shortly afterwards. However, the ride is not over yet and another incline with a subsequent barely regulating block brake follows. The last traditional curve comes next, which ends in a downhill heartline roll – actually the most interesting element of the ride. A trivial turnaround in the form of an Immelmann turn follows, after which the ride ends abruptly.

Thanks to the wider cars and the increased ride comfort due to the lack of shoulder claws, the ride on the Green Lantern Coaster is much more fun compared to other (almost) identical rides. The ride is exciting and bizarre – basically a bit Loco.

Batwing Spaceshot and Justice League: Alien Invasion 3D

Directly opposite is the Batwing Spaceshot, a vertical drop ride by S&S, which takes you up to a height of 61m at high speed. Once you’ve reached the top, you’ll get a good dose of airtime and a big grin in your face.

The entrance to the dark ride Justice League: Alien Invasion 3D is located in a hall behind it. Previously, the simulator Batman: The Ride was located here. The dark ride, developed by the Sally Corporation, combines large plastic scenes with 3D screens where you have to fight off the aliens of the villain Starro before they take control of all mankind. It’ s the kind of delightful fun you’d expect from Sally. The ride itself was later the inspiration for Justice League: Battle for Metropolis, which can be found in various Six Flags parks.

DC Rivals HyperCoaster

One of the reasons to visit Warner Bros Movie World is the DC Rivals HyperCoaster. The roller coaster by Mack Rides has a breathtaking out & back layout including a highly twisted first drop, a 40m tall non-inverted loop, as well as a multitude of breathtaking turns and airtime hills and the possibility to experience it backwards for a small extra charge. It’s just a shame that the roller coaster was closed during my visit.

The DC Rivals HyperCoaster was not all that was closed on the day I visited. Actually, the Village Roadshow Theme Parks allow quite easy planning of the visit, because there is a maintenance calendar for each individual park, but they don’t plan these periods very well, so that the individual attractions usually have a longer maintenance period. At the same time, however, visitors are not informed about this, so that they are first confronted with it on site. Other amusement parks that are open all year round, such as the Disneyland Parks or Efteling, show how it could be done better, and the nearby Dreamworld amusement park does it better without question.

Road Runner Roller Coaster

Thus, once past the closed Roxy Theatre, we were drawn to the children’s area on the right-hand side of the main street. Some time ago, this was where the Looney Tunes River Ride used to be, but it was replaced by a covered money printing machine, the Junior Driving School. The Road Runner Roller Coaster, the theme park’s first roller coaster, has been located in the outdoor area in front of it since the year 2000.

Interestingly, the children’s roller coaster Coyote’s und Roadrunner’s Achterbahn from the German branch of Warner Bros. Movie World was used as a model for this roller coaster, but the elaborate rock structure of the roller coaster was not used on the Gold Coast. The coaster does, however, have a second train, which means that you only do one lap at a time through the tried-and-tested roller skater layout of the manufacturer Vekoma.

Hollywood Stunt Driver 2

Past the small collection of children’s rides, we are now drawn to the theme park’s big stunt show. Hollywood Stunt Driver 2 offers a similar spectacle to Moteurs… Action! Stunt Show Spectacular from the Walt Disney Studios Park in Paris and thus a very strong focus on filming with a few selected performers. We can be glad that Movie Park Germany continues to focus on a jam-packed stunt show like the original Police Academy Stunt Show with Crazy Cops New York. Unfortunately, the show over here was no good.

Scooby Doo Spooky Coaster

A roller coaster has moved into the former Gremlins dark ride building at both Warner Bros. Movie World theme parks over the years. Here on the Gold Coast, the Scooby Doo Spooky Coaster was created in 2002 and is based on the Scooby Doo live-action film of the same year.

The ride begins with the familiar ghost train ride from the film. The whole thing is peppered with a few small drops, swinging axes and animatronics worth seeing. Basically, the Spooky Doo Spooky Coaster is a dark ride well worth seeing, but then we enter the ride’s vertical lift. Accompanied by a scene in which Scrappy Doo mutates into a monster, we leave it facing backwards. Shortly afterwards we plunge down a 7m drop. On the other side of the ride we change direction again on a turntable. Accompanied by the song Scooby Doo, Where are you? we now go through the well-known course of a classic wild mouse. Where we would normally expect a double shot, we drive straight into a brake after only one shot. Shortly afterwards, we leave the Sound Stage, where a large part of the roller coaster is located. After a short interlude, another 3m high drop awaits us and soon the exit station of the ride.

Scooby Doo Spooky Coaster is a great roller coaster, but thanks to its limited capacity it often has a longer queue. However, the ride in the extended Wild Mouse is quite something and makes you leave the ride in a good mood – although the actual roller coaster ride mainly takes place in a dark hall with a light show.

Doomsday Destroyer and Wild West Falls

Passing the Doomsday Destroyer – a suspended version of the popular Kamikaze ride built by Intamin – which offered a very solid ride, we now approach the western area of the theme park. The only attraction in the area is the log flume Wild West Falls, the only remaining attraction based on the film Wild Wild West. Originally, however, the ride was supposed to be based on the film Rio Bravo, which is also reflected in the existing theming of the ride.

After crossing the rather long queue, you can immediately take a seat in one of the boats. Shortly afterwards, the boat bobs past the maintenance hall of the ride towards the first lift hill. Once you have reached the top, you drive into the huge mountain massif where the first turntable is waiting for you. This then releases the boat into the first shot, which is completed backwards. This is followed by a small hill. Shortly afterwards, the descent into the cool water starts, whereby the level of wetness is still very manageable. After a bend, you reach another turning point, whereupon the boat moves forward again. The river now takes you unspectacularly through a canyon, an Indian village and the western town of Dogde City before entering the mine again. Once you reach the highest point of the ride, you are brought into position again via a turntable, whereupon the second and final shot is initiated. When you reach the bottom, you are pleasantly moistened. This is followed by the return journey to the station.

I love water rides from Hopkins and Wild West Falls is an all-round successful water ride with a great setting and two breathtaking drops. However, compared to the log flume Rio Bravo from Parque Warner Madrid, it is in many ways the weaker ride. The revision of Wild West Falls, built by Intamin, scores mainly with its airtime, which is unfortunately completely missing here on the Gold Coast. The ride in Spain also seems to be in a slightly better state. Nevertheless, the log flume Wild West Falls is not to be missed.

WB Studio Showcase

On the way to the next attraction, we stopped by the WB Studio Showcase, where some props from recent WB productions, including The Great Gatsby, Shazam!, Suicide Squad and Mad Max, were on display during our visit. Unfortunately, this was also the only attraction that took up the original idea of the movie park. I would have liked to see more of this.

Arkham Asylum – Shock Therapy

The Vekoma Suspended Coaster Arkham Asylum – Shock Therapy should have been open on the day we visited. On a later day, the ride was also closed until further notice. In fact, the coaster has not been operated since then and will probably disappear from the park soon. I would have loved to do a lap on the SLC with its bonus helix, as the ride also featured the VR film known from Parque Warner.

Superman Escape

The last attraction on our tour is the Superman Escape roller coaster. The queue for the roller coaster is rather inconspicuous and ends in front of automated doors behind which the MRT (Metropolis Rapid Transit) underground can be boarded.

The journey begins quite leisurely. However, it soon becomes clear that our situation is a little more tricky. Warnings of earthquakes ensure that we do not stop at the next stations. Burst gas pipes, which led to the blowing up of a pumping station, cause the railway tunnel to flood and suddenly police cars also crash into the tunnels. Although the situation seems hopeless, Superman comes to our rescue at the last moment. What follows is a breathtaking rollercoaster ride, starting with an insanely good hydraulic launch.

At a good 100 km/h we immediately climb a 40m high top hat, which we enter straight and leave to the side. After a high-pressure right turn along the ground, we immediately enter an airtime-rich camelback. This is followed by a left turn where we drive through a hall. After another turn, the path leads us through a further right turn close to the ground before we change direction again on the following hill and soon find ourselves in the braking section of the ride.

Superman Escape is a mercilessly good roller coaster. The ride through the compact layout is extremely tough and convinces with its fast turns and great airtime. Unfortunately, however, the roller coaster is only located at Warner Bros Movie World and not here at Movie Park Germany, which in turn reveals some weaknesses. The low capacity of the ride in a a one train operation is exacerbated by the high number of fast pass users, so that unfortunately you have to queue for a very long time at this ride. Movie Park Germany now has the immersive tunnel The Lost Temple and the roller coaster Star Trek Operation Enterprise in the same place, but I really wish they had taken another inspiration from the park on the Gold Coast.

Pictures Warner Bros. Movie World

Conclusion Warner Bros. Movie World

Warner Bros. Movie World, you must have been a really good theme park once. In the early 90s you surprised everyone with your concept, but now there’s almost none of that magic left. You’re more like a classic theme park these days, but your roller coasters can hardly hide your lack of attractions and shows. To be honest, I really wonder how one is supposed to spend a whole day here. A question that, interestingly enough, you would never ask at your younger sister in Bottrop.

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Hell Yeah, Schnabelteah Day 15 to 19 / Warner Bros. Movie World

Le King et la Foire du Trône

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Preface

Originally it was not planned to visit the Foire du Trône on a Thursday. However, as the French train company SNCF was supposed to go on strike the next day and it was therefore unclear whether and how often the Paris regional train RER would run to and from Torcy, I simply moved the planned visit to the French capital one day forward. Since it should remain dry until the evening, my first destination on this day was the Bois de Vincennes and with it a visit to the Foire du Trône.

Foire du Trône

The funfair officially opens at 12 o’clock. When I entered the square an hour later, there was naturally not much going on. Here and there there were some groups of visitors, but there was no trace of the showmen. Sometimes you didn’t even find them during the whole day. Good, in the evening it should rain. This might be reason enough for a French showman to stay away from work, but it casts an unnecessary shadow on this big event. Imagine such behaviour at a large funfair in Germany, at some point nobody would ever go there again.

Without being able to leave a great deal of money on the Foire du Trône, I was nevertheless happy to have some rides on rides that I had already had on my to-do list for some time. Only the main reason for the visit – a ride on the infamous Le King roller coaster – was to take longer. The start was made by the Jet Star roller coaster of the showman Montalétang.

Jet Star

This chic little darling from Schwarzkopf spent years in Holly Park, France, before it finally closed its doors in 2014. Prior to that, the Jet Star had stood for 24 years as Cortina Bob under the showman Steindl in Vienna’s Prater, before he ordered the Megablitz from Vekoma. In fact, the ride is the first Jet Star produced in Münsterhausen.

The ride begins with a short right-hand bend, which is immediately followed by the ride’s lift. At a height of 13m, we then pass through a rather wide bend, with the words Jet and Star on our left, briefly interrupted by the Olympic Rings on our right. With momentum we now rush down the first slope and it’ s steep! The bob-like sitting position does its best and thus provides the first moment of surprise of the ride. We whiz through the valley at full speed and immediately throw ourselves into the steep curve close to the ground, which revolutionised the roller coaster world at that time. Just below the lift hill we finish our ride and immediately start a longer ascent. Now on the second level we follow the track before the first gradient, before we say goodbye to the right and enter a Bayernkurve via a small gradient. Over hill and dale we now turn left along the front of the ride. In the following valley there is a short change of direction, whereupon we go through the back of the ride a third time. After a short left bend, we fall to the ground once more, whereupon we ride for a very long time through a right bend close to the ground, which tapers to an upward helix towards the end. This is followed by a short dip and an equally short ascent before the final downward helix awaits us. With momentum we then reach the brakes, which bring us to an unexpectedly gentle stop.

After having already tested two of the later City Jet rides, I was very excited about a ride in an original Jet Star and was very positively surprised. The ride on the meanwhile 50 year old roller coaster is simply a lot of fun due to its racy curves and the straight drop at the beginning of the ride. The ride characteristics are still indisputably great, a real Schwarzkopf roller coaster. It’s just a pity that you can’t find a roller coaster of this series on German fairs since a very long time. I would have liked to ride it much earlier. Accordingly, I would like to thank Mr. Montalétang, who recognised the gap of the Jet Star of showman Lapère at the Foire du Trône, which moved to Babyland-Amiland, and was able to close it seamlessly. A really cool move.

La Pomme and 1001 Pattes

On the way to the Jet Star, the worm of the Big Apple La Pomme of the Pouget Groupe was already smiling his way through the course, while his colleague 1001 Pattes of the showman Perc was still wrapped up in the children’s corner on the other side of the Foire du Trône. Interestingly, one worm stopped running after the other one finally revealed himself to the public in the late afternoon. Strange, but still CC+2; it’s fine with me.

Crazy Mouse

The prototype of the Reverchon spinning coaster shows itself to its potential passengers as new. The roller coaster Crazy Mouse of the showman family Degoussée not only looks good, but also performs well during the ride. As usual from the manufacturer, the second part of the ride resembles a wild merry-go-round, which becomes more and more intense in the hairpin curves. So far, so good. While after the last curve the brakes are already waiting for the passengers, the prototype goes one better: There is a bonus dip! Although this is also the end of the ride, it’s definitely a cool gimmick.

Infernal Toboggan

Another ride that started early was the roller coaster Infernal Toboggan by the showman Lapère/Roopers. This SDC Galaxy, which was built for the Belgian showman Bufkens sometime in the 80s, has been in the hands of the showman family Lapère since 1997. The ride through the compact layout with its tight support structure and seemingly endless helices scores above all through a tunnel that covers the complete second exit including the ascent. A nice ride, even though the coaster itself has seen better times.

Moonraker

In the same series, another SDC classic started up in the afternoon. After having already tested a Centrox of the same manufacturer or at least a Spanish copy at a Spanish funfair, I was now very excited about the ride on a Galactica/Moonraker – because the basic ride sequence of both rides differs from each other only in one important detail. Basically, both rides are a slightly more modern round-up, which is ridden in a sitting position and is equipped with shoulder restraints. The rotation of the gondola can therefore be variably controlled; but in general the ride is quite fast and powerful. The maximum inclination of the boom is similar to that of an Enterprise, so the ride is quite steep. The difference between both carousels is an additional function in the ride. While the nacelle of the Centrox can be moved into the horizontal position via hydraulics, the whole centre boom of the Moonraker can rotate 360°. However, this is done at a moderate speed and not against the direction of rotation of the disc, which is why there is no luffing effect similar to that of a hully gully. A third version of this ride was intended to combine the two functions, but was never built.

Although I was the only passenger during the second trip of the day, the ride on the Moonraker was really successful. The ride and the staging of it speak for themselves. The additional rotation of the boom is a welcome addition to the grandiose, albeit somewhat monotonous, pressure spectacle. It is nice that even today a showman takes the time to keep an 80s classic alive.

Le King

Le King, la montagne russe 100% français, was built by Soquet, like many other fairground coasters in the country. Most of these were looping coasters that eventually found their way abroad. Le King is different. The layout of the roller coaster, built in 1995, is very similar to the Alpina Bahn, but also sets many own accents. The intricate layout with its many steep curves promises an exciting ride, which is also advertised on countless screens. As a roller coaster fan you are of course aware of the ride’s style. It is not without reason that it is considered one of the most terrible Adrealin rides in the country, after all the shoulder bar contact is supposed to be guaranteed as high as the share of French components. And yet the train is extremely comfortable. You sit very freely. The shoulder restraint gives you a lot of leeway to the right and left; contact with it seems to be rather distant. But then the journey begins.

After a short S-bend along the sidetrack we are constantly pushed up a ramp towards the lift hill at the back of the ride. This brings us up to the starting height of 26m. After a short pre-drop we fall down a steep curve without great expectations. This is a very decent ride, but the further we go towards the valley, the more the train is inclined. In fact, we can see the approaching disaster mercilessly coming up. The moment the train starts the next ascent, we get wiped out. The following ascent with an integrated change of direction, on the other hand, is again going quite well. Arriving on the next hilltop, we have a short moment to somehow cling to the stirrup, because the next steep curve is already waiting for us. Once again we drive through the following valley with a much too high cross slope, whereupon the contact with the stirrup is established. Over a longer ramp we reach the first block brake of the ride.

Past the King logo we are pulled down once more in a curve. Here one of the worst parts of the layout awaits us. After a proper clamp, it goes up again rapidly. Following a short dip we rush down another curve against our will. Fortunately, the slope in the valleys is now a little less steep, but a series of wild curve manoeuvres awaits us now. Over several hills with integrated turns we now ride criss-cross through the ride before we dive into a tunnel. Through several containers we now go at full speed over smaller ascents, as well as a left/right turn, before we come back to daylight. After another right turn we reach the braking section of the ride and soon the station.

Le King is actually a very passable and funny roller coaster, if it weren’t for these terrible valleys. Without the constant contact with the shoulder restraints, the roller coaster would be extremely entertaining. The ride itself is quite smooth and the layout with its many curves, funny dips and the extremely fast tunnel finale is a bit strange, but not bad at all. Basically, it’s what you would expect from an oversized Soquet roller coaster. The strokes on the other hand don’t really fit to it and make you forget about any repetitive rides. Quel dommage.

Pictures Foire du Trône

Conclusion Foire du Trône

That’s it from the Foire du Trône. As mentioned at the beginning I could not ride very much on this visit. At some point I didn’t see any reason to want to ride anything anymore, although at that time the Mondial Power Maxx swings up, as well as the HUSS Pirate directly on the main row. Shortly after one of the two tagadas opened its daily business, I left the Foire du Trône.

In general, I found the Parisian funfair to be very unorganised. There is no round trip, in many places there are several rows parallel to each other. I would recommend a visit only in the late evening or at the weekend, otherwise you will find yourself in front of closed rides. Why the rides start around noon was not clear to me.

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Île-de-France / Tron-Tron-Trône Day 5 to 8